Where to Watch the Oscars 2023 Best Picture Nominations (And What Order to Watch Them)

The 2023 Oscars are less than a week away, which means you have just a few days to catch up on the 2023 Best Picture nominations. You don’t want to be the only one at your Oscars watch party on Sunday night that isn’t laughing at host Jimmy Kimmel’s no-doubt hilarious monologue.

But let’s be realistic: Ten movies is a lot to watch in one week. For those of us with jobs, families, and lives, it’s nearly impossible. Once upon a time, you only had to watch five movies to keep up with the best films of the year—at least, according to the Academy of Motion Picture Arts and Science. But ever since the Oscars revised its rules in 2011 to include 10 Best Picture slots, it’s gotten more and more difficult for procrastinators to fit in a last-minute Oscars cram session.

Not to worry, though, because Decider is here to help. In an effort to help you cut down on the noise, Decider has assembled a list of the 2023 Best Picture nominees, ordered by how dire it is that you watch each title. Below, you can find information on where you can watch the film, and why you may want to prioritize (or not) seeing each film before the Oscars.

Thankfully, in the era of streaming, it’s easier and cheaper than ever to watch Oscar-nominated movies. Frontrunner Everything, Everywhere, All At Once, for example, is streaming free on Paramount+, while Steven Spielberg’s The Fabelmans is available to rent for just $5.99.


1

Photo: Everett Collection

If you told me in March 2022 that Everything, Everywhere, All At Once—a movie that features Jamie Lee Curtis with hot dog fingers and a fairly explicit butt plug joke—would be the frontrunner for Best Picture, I would have assumed you were a traveler from a bizarre ultimate universe. But against all odds—and likely thanks to Academy’s continuing efforts to expand its membership to be less old, less white, and less male— this weird, heartfelt, oddity of a movie is favored to take home the top prize at the 95th Academy Awards. Even if this wacky take on the multiverse isn’t for you, Everything, Everywhere is the movie to watch if you want to be part of this year’s Oscar conversation. If you have time for one, make it this one.

Streaming on: Paramount+, Showtime, or buy on digital for $19.99


2

Photo: Focus Features/Courtesy Everett Collection

Although it’s (sadly) unlikely that Tár will take home Best Picture on Sunday night, you still make this masterful drama about a problematic composer a priority. It’s still a toss-up between Michelle Yeoh and Cate Blanchett for Best Actress, but whether or not she wins a statue, Lydia Tár is going down in cinematic history as one of the best performances of Blanchett’s career. Plus, it’s just a really good movie. Written and directed by Todd Field, it’s a brilliant commentary on art, gender, power, and abuse that will compel you every step of the way. You won’t regret watching it.

Streaming on: Peacock Premium, or buy on digital for $19.99, rent for $5.99


3

Photo: ©Searchlight Pictures/Courtesy Everett Collection

Don’t count Martin McDonagh’s darkly comedic drama about a friendship break-up, The Banshees of Inisherin, out of the Best Picture running just yet. With eight Oscar nominations—including acting nominations for the entire cast, and two Best Supporting Actor nods, for Brendan Gleeson and Barry Keoghan—this Irish movie could easily be a wild-card winner. Plus, with so many nominations, you’ll be covering a lot of Oscar ground by watching this one. Definitely turn out captions before you stream it on HBO Max, because those Irish accents are thick, and when you’re left confused by the ending, go ahead and give Decider’s analysis of The Banshees of Inisherin ending explained a read.

Streaming on: HBO Max, or buy on digital for $9.99


4

Photo: ©Universal/Courtesy Everett Collection

Though the odds of Steven Spielberg taking home the top prize on Sunday aren’t quite as high, it’s still very possible that we’ll see a Fabelmans Best Picture win at the 95th Academy Awards. If you’re a Gen Xer who grew up on Spielberg movies, you’ll probably want to move this family drama—based on Spielberg’s own childhood as an aspiring filmmaker—higher up on your watch list. It’s a perfectly inoffensive, run-of-the-mill biopic, but if you’re not a Spielberg mega fan, you may find yourself bored throughout the two-and-a-half-hour runtime. All respect to Spielberg, a great director, but this movie is hardly his finest work, and, unlike his most famous movies, probably won’t go down as an essential in film history. That said, it’s still essential to the 2023 Oscars.

Streaming on: Buy on digital for $9.99, rent for $5.99


5

Photo: Everett Collection

Though the Academy failed to name a single woman on the list of Best Director nominations, they at least honored Sarah Polly’s critically acclaimed drama with Best Picture and Best Adapted Screenplay nominations. (The film is adapted from the 2018 novel of the same name by Miriam Toews, which in turn was based on a real-life isolated Mennonite community in Bolivia.) Out of ten films, it’s the only Best Picture nomination directed by a woman, but that’s not the only reason you should watch it. It’s a quiet but fierce conversation about what, exactly, women are supposed to do when they are betrayed by the men in their life, featuring some of the best performances of the year.

Streaming on: Buy on digital for $19.99, rent for $5.99


6

Photo: ©Warner Bros/Courtesy Everett Collection

All eyes and ears are on Austin Butler, to see whether the actor will deliver an acceptance speech in his Elvis Presley voice when he most likely wins the Oscar for Best Actor. It’s down to Butler or Brendan Fraser, but given that The Whale isn’t up for Best Picture, if you care about the Best Actor race, go ahead and give this wild Elvis Presley biopic from Baz Luhrmann a stream. The movie was not well-liked by critics, but that didn’t stop it from crushing the box office. Plus, you don’t want to miss out on the most meme-able movie moment of 2022, courtesy of Tom Hanks: “He’s white?!”

Streaming on: HBO Max, or buy on digital for $19.99, rent for $5.99


7

Photo: ©Paramount/Courtesy Everett Collection

Top Gun: Maverick probably won’t win at the Oscars this year, and star Tom Cruise will be crying all the way to the bank with his No. 1 domestic box office hit. Statistically speaking, you’ve probably already seen this long-awaited sequel. But it really is a fun watch— a simple story that honors the emotional narrative of the first film and is honestly far better than it needs to be. That said, if you’re out of time before the Oscars, you can skip this one and likely guess what you’re missing. Use context clues for Jimmy Kimmel’s monologue jokes, and you’ll be just fine.

Streaming on: Paramount+ , or buy on digital for $19.99, rent for $5.99


8

Photo: Netflix

Netflix doesn’t have nearly as strong a showing in the Best Picture race as it has the past few years, but the streamer can at least claim one nomination, and that’s this modern adaptation of All Quiet on the Western Front, the world-renowned 1929 German novel by Erich Maria Remarque about World War I. Though it’s not looking good for a Best Picture win, it seems likely that the movie, directed by Edward Berger, will win Best International Feature. With a higher film resolution and a lot more resources, this version of All Quiet on the Western Front feels even more accurate to the horrors of World War I than the book or the 1930 film—so make sure you’re mentally prepared for that.

Streaming on: Netflix


9

Photo: Courtesy Everett Collection

Triangle of Sadness is one of those wildcard Best Picture nominations that almost definitely isn’t going to win anything and probably shouldn’t have even been nominated in the first place. Sometimes these wildcard entries highlight hidden gems, but unfortunately, that’s not the case with this dark “eat the rich” satire from Swedish filmmaker Ruben Östlund. Unless you’re fond of watching excruciating vomit-and-diarrhea sequences, you can move this movie to the bottom of your watch list.

Streaming on: Hulu, or buy on digital for $7.99, rent for $3.99


10

Photo: Everett Collection

If you haven’t gone to see Avatar 2 in theaters at this point, it’s likely because you aren’t very interested in watching Avatar 2. And if that’s the case, I see no reason to subject yourself to this expensive, three-hour spectacle simply for the sake of the Academy Awards. Sure, The Way of Water is a lock for the Best Visual Effects Oscar. But trust us, you won’t lose any points among film nerds at your Oscars watch-party for skipping this one. Also? It’s not available on streaming!

Streaming on: Nowhere, yet! Find a theatrical showing near you via Fandango.



Check out our Latest News and Follow us at Facebook

Original Source

Steven Spielberg says Tom Cruise’s ‘Top Gun’ sequel ‘saved Hollywood’s a–‘

From one legend to another.

Hollywood director Steven Spielberg wasted no time giving Tom Cruise his well-deserved flowers at the Academy Awards luncheon on Monday.

Pulling Cruise in for a hug, Spielberg told the 60-year-old actor that he “saved Hollywood’s a–” with his hit blockbuster “Top Gun: Maverick” — which scooped up a Best Picture nomination.

“You saved Hollywood’s a–, and you might have saved theatrical distribution,” Spielberg tells Cruise in the clip. “Seriously, ’Maverick’ might have saved the entire theatrical industry.”

The film, a sequel to Cruise’s 1986 classic, grossed an eye-watering $1.48 billion worldwide since its release in May last year. It also racked up an impressive 96% on Rotten Tomatoes.

The pair, who previously worked together on “Minority Report” and “War of the Worlds,” shared the sweet exchange at the star-studded event, during which Cruise debuted a striking new look.

Cruise’s film, which he didn’t want to make it. earned an impressive six Oscar nominations

Director Joseph Kosinski previously revealed he had just 30 minutes to convince Cruise to star in “Top Gun: Maverick.”

“Top Gun” Maverick” was Cruise’s first film to rake in $100 million opening weekend.
Parmount

“So I read the script, I had some ideas, and Jerry [Bruckheimer] liked those ideas. He said, ‘You know what, you gotta go pitch this to Tom directly,’” Kosinski told Polygon. “We flew to Paris, where Tom was shooting ‘Mission: Impossible,’ we got about a half-hour of his time between setups.”

“And I basically had 30 minutes to pitch this film, which I didn’t realize when we were flying over. But when I got there, I found that Tom really didn’t want to make another ‘Top Gun,’” he explained.

Celebs noticed Cruise’s striking new appearance from the get-go, which featured a new haircut and a deeper tan.
BACKGRID
Celebs noticed Cruise’s striking new appearance from the get-go, which featured a new haircut and a deeper tan.
REUTERS


Advertisement

Celebs noticed Cruise’s striking new appearance from the get-go, which featured a new haircut and a deeper tan.
BACKGRID


Advertisement

“It’s one of those moments as a director, you have one on every film, where you’re on the spot to make a case for why this movie should be made. I had 30 minutes to do it.”

Three-time Oscar winner Spielberg, 76, is also celebrating awards season in style. He’s nominated for Best Director for his semi-autobiographical drama “The Fabelmans.”

The film has been showered with critical acclaim since its release late last year. It’s up for Best Picture, and Best Actress for Michelle Williams.



Check out our Latest News and Follow us at Facebook

Original Source

Spielberg’s latest is the best of the year

The best movie of the year so far is Steven Spielberg’s extraordinary “The Fabelmans.”

It’s gripping, visually mesmeric, boasts an exceptional, grounded script by Tony Kushner and is acted to the hilt. A no-holds-barred Michelle Williams skyrockets to the front of the Oscar race with an unforgettable performance. 

Spielberg’s deeply personal project, which had its world premiere Saturday night at the Toronto International Film Festival, has been shrouded in secrecy for months. About all we knew going in was that the movie is based on the famed director’s own life, and stars Williams, Paul Dano and Seth Rogen. 


movie review

Running time: 151 minutes. Rated PG-13 (some strong language, thematic elements, brief violence and drug use.)

But “The Fabelmans” is so much richer and less predictable than any run-of-the-mill, point-A-to-point-B biopic, even though we know that the ending is, well, “Jaws.”

There is a palpable feeling throughout that unlike the director’s recent, capable films like “West Side Story” or “The Post,” Spielberg needed to make this one. That he’s had this idea and these raw feelings lying dormant for decades. That otherwise he might explode. 

The thrilling result of his behind-the-camera therapy is some of the director’s finest work in years, and a movie that feels, for the first time in forever, like a bona fide Spielberg film. 

The searing image of a gobsmacked little boy projecting an early short film onto his hand is one I won’t soon forget. 

Dad Burt (Paul Dano) and mom Mitzi (Michelle Williams) take young Sammy (Mateo Zoryon Francis-DeFord) to his first movie.
Universal Pictures

That little screen stand-in for Spielberg is lSammy Fabelman (Mateo Zoryon Francis-DeFord), whose mom Mitzi (Williams) and dad Burt (Dano) take to his first movie, Cecil B. DeMille’s “The Greatest Show On Earth.” Floored, Sammy recreates the film’s crash scene with his own train set at his New Jersey house and mom encourages him to film it — unleashing an obsession with Hollywood and movie-making.

This is not a narcissistic film, though. As the title would suggest, the story is very much about the whole family. The Fabelmans move around for quiet Burt’s job as a computer programmer, and first they head to Arizona. They are joined, somewhat strangely, by Burt’s best friend Benny (Rogen). 

Despite the childhood difficulty of changing cities, the desert dust and rocks gives now-teenage Sammy (Gabriel LaBelle) a playground to shoot ambitious Westerns and battle scenes. 

There’s a battle raging at home, too. Mitzi feels restless and out-of-place, and while making one of his short films, Sammy sees something disturbing in the editing room that changes his life. It reminded me, sans murder, of Brian DePalma’s “Blow Out.” 

Sammy films the seniors at his California high school.
Paps4Real / BENS / BACKGRID

What’s striking about Spielberg’s memory movie is that, unlike say Eugene O’Neill’s “Long Day’s Journey Into Night,” everybody is treated with such warmth and compassion. The director empathizes with all of his character. The only villain, per se, is an anti-Semitic high school classmate of Sammy’s later on in California. (All the coming-of-age, John Hughes-y business is a scream.)

LaBelle, who’s mostly played small roles till now, is a stunning find with a big future. He so tenderly embodies this quirky introvert who channels his angst into his art, until it boils over. Spielberg is known for the very real performances he can wrestle out of young people. So, you can imagine the magic he can do with a version of his teen self.

There is also an uproarious cameo appearance from Judd Hirsch as visiting Uncle Boris, who over the course of an evening, teaches Sammy the sacrifices he’ll need to make to score a life in showbiz. He’s hysterical.

The other quick hello that will have folks talking is David Lynch. I won’t say what he does. But holy moly. Twitter will tell ya soon enough.

But the movie belongs to Williams, who brings the same “what will she do next?!” energy that set fire to the screen in “Manchester By The Sea” and “Fosse/Verdon.” Hers is a great big performance in a movie that, while simple, is undoubtedly stylized. Williams turns domestic struggles into something grand and universal. 

It’s been in-Vogue lately for directors to make self-reflective movies. Alfonso Cuaron had “Roma,” Kenneth Branagh made “Belfast” and Alejandro Inarritu just premiered his “Bardo” in Venice. Yet it’s Spielberg’s that has hit me the hardest.

How profound to say that the road to killer sharks, alien house guests, T-Rexes and World War II epics begins and ends with mom and dad.

Check out our Latest News and Follow us at Facebook

Original Source

Maestro First Look: Bradley Cooper Looks Unrecognisable as Legendary Conductor Leonard Bernstein

Maestro​​ first look is here. On Monday, streaming platform Netflix shared a few stills from its biographical drama on the life of the iconic broadway conductor Leonard Bernstein to pique the curiosity of fans. In them, we see Bradley Cooper in a virtually unrecognisable avatar as he transforms into the music legend. His body language and intense gaze are hard to miss. These stills also give us a look at the softer moments from Bernstein’s life as we see Cooper with Carey Mulligan, who plays his wife Felicia Montealegre.

Besides Cooper and Mulligan, the Maestro cast includes Jeremy Strong as art critic John Jonas Gruen, and Maya Hawke as Bernstein’s daughter Jamie Bernstein. The rest of the cast is likely to be announced later this year. The actor directs the film off a screenplay he wrote alongside Josh Singer. Maestro is produced by Cooper, Fred Berner, Amy Durning, Emma Tillinger Koskoff, Kristie Macosko Krieger, Todd Phillips, Martin Scorsese, and Steven Spielberg

 

In case you didn’t know, The Bernstein biopic was originally supposed to be directed by Spielberg with Cooper in the lead. The actor, however, requested him to merely produce it as he wanted to write and direct it himself. This paved the way for Maestro as we know it.

Earlier this year, Cooper had told Variety: “I told Spielberg, ‘I always felt like I could play a conductor, but may I research the material and see if I can write it and direct it? Would you let me do that?’ Steven has a lot of interests — he’ll just choose one thing and all of the other things will be on hold. I think he knew he wasn’t going to make that movie for a while. He was kind enough to hand it off to me, and that’s what I’ve been doing for the last four and a half years.”

Maestro, interestingly, will not be Cooper’s first directorial venture as he previously directed the musical drama A Star Is Born, which emerged as a blockbuster when it was released in 2018.

So, will Maestro live up to the standards Cooper set for himself with A Star Is Born. We’ll find out when the film releases on Netflix in 2023.


For the latest tech news and reviews, follow Gadgets 360 on Twitter, Facebook, and Google News. For the latest videos on gadgets and tech, subscribe to our YouTube channel.

Moto G82 5G India Launch Tipped on June 9, Likely to Come With Snapdragon 695 5G SoC

Dizo Watch D Smartwatch Set to Launch in India on June 7, Specifications Teased



Check out our Latest News and Follow us at Facebook

Original Source

Exit mobile version