Steven Spielberg says Tom Cruise’s ‘Top Gun’ sequel ‘saved Hollywood’s a–‘

From one legend to another.

Hollywood director Steven Spielberg wasted no time giving Tom Cruise his well-deserved flowers at the Academy Awards luncheon on Monday.

Pulling Cruise in for a hug, Spielberg told the 60-year-old actor that he “saved Hollywood’s a–” with his hit blockbuster “Top Gun: Maverick” — which scooped up a Best Picture nomination.

“You saved Hollywood’s a–, and you might have saved theatrical distribution,” Spielberg tells Cruise in the clip. “Seriously, ’Maverick’ might have saved the entire theatrical industry.”

The film, a sequel to Cruise’s 1986 classic, grossed an eye-watering $1.48 billion worldwide since its release in May last year. It also racked up an impressive 96% on Rotten Tomatoes.

The pair, who previously worked together on “Minority Report” and “War of the Worlds,” shared the sweet exchange at the star-studded event, during which Cruise debuted a striking new look.

Cruise’s film, which he didn’t want to make it. earned an impressive six Oscar nominations

Director Joseph Kosinski previously revealed he had just 30 minutes to convince Cruise to star in “Top Gun: Maverick.”

“Top Gun” Maverick” was Cruise’s first film to rake in $100 million opening weekend.
Parmount

“So I read the script, I had some ideas, and Jerry [Bruckheimer] liked those ideas. He said, ‘You know what, you gotta go pitch this to Tom directly,’” Kosinski told Polygon. “We flew to Paris, where Tom was shooting ‘Mission: Impossible,’ we got about a half-hour of his time between setups.”

“And I basically had 30 minutes to pitch this film, which I didn’t realize when we were flying over. But when I got there, I found that Tom really didn’t want to make another ‘Top Gun,’” he explained.

Celebs noticed Cruise’s striking new appearance from the get-go, which featured a new haircut and a deeper tan.
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Tom Cruise
Celebs noticed Cruise’s striking new appearance from the get-go, which featured a new haircut and a deeper tan.
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Celebs noticed Cruise’s striking new appearance from the get-go, which featured a new haircut and a deeper tan.
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“It’s one of those moments as a director, you have one on every film, where you’re on the spot to make a case for why this movie should be made. I had 30 minutes to do it.”

Three-time Oscar winner Spielberg, 76, is also celebrating awards season in style. He’s nominated for Best Director for his semi-autobiographical drama “The Fabelmans.”

The film has been showered with critical acclaim since its release late last year. It’s up for Best Picture, and Best Actress for Michelle Williams.



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Jennifer Coolidge studied mortuary makeup before acting

Paulette Bonafonté may have been closer to Jennifer Coolidge’s real life than previously expected.

The “Legally Blonde” actress — who starred as the nail tech and makeup guru in the film — recently spoke to Vogue about her new Super Bowl commercial for e.l.f. Cosmetics and along with sharing her love for the retailer’s affordable makeup, she shared that her career almost took a very different path.

“I sort of thought that maybe I’d be a makeup artist, but I was not the best in the class, and who wants to be sort of mediocre at something if you pick that as a career?” Coolidge told Vogue.

She attended the Joe Blasco School in Los Angeles to study “special effects, fashion and beauty” in “a curriculum that included a mortuary makeup class” — though there were no cadavers included in class.

While she didn’t end up going the funeral home route and chose acting instead, the “White Lotus” actress did learn a thing or two during beauty school.

Coolidge tries out some e.l.f. Cosmetics primer in the Super Bowl clip.
e.l.f. Cosmetics

“If you have dark under your eyes, like black or blue, you can actually mix orange makeup in with your concealer, and it will completely cover the blue, or yellow to cover redness,” she shared.

Coolidge — who recently had a ball with her “Shotgun Wedding” co-star Jennifer Lopez at the movie’s after party — said she was attracted to the e.l.f. brand because of her commitment to animal rights, just like Elle Woods’ crusade against animal testing in the sequel to “Legally Blonde.”

“A lot of the lines sort of fake you out, and when you really read between the lines you realize that they aren’t completely cruelty-free,” she said. “The thing I love about the e.l.f. stuff—it really is like, vegan. And it’s extremely affordable.”

Coolidge is passionate about supporting brands that are cruelty free and vegan.

The movie star is the face of e.l.f. Cosmetics’ very first Super Bowl commercial.


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The actress looked glam in black lace at the Season 2 premiere of “The White Lotus” last fall.

The movie star is the face of e.l.f. Cosmetics’ very first Super Bowl commercial.


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In a teaser for the brand’s Super Bowl ad — which was co-written by Mike White, co-creator of “The White Lotus” — Coolidge tries out the e.l.f. “Power Grip Primer” ($10), saying “get ready for prime time.”

After applying the smoothing, gel-based product, she exclaims, “Oh my God. It looks like I came from the sea! I look like a dolphin … a baby dolphin!” and even makes dolphin noises in the hilarious clip, seemingly a reference to her viral Golden Globes clip declaring her dream role would be to star as the aquatic animal.

It seems life has already imitated art for Coolidge.

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Nia Long holds back tears recalling months following Ime Udoka split

Nia Long fought back tears as she reflected on the “devastating” months following her split from fiancé Ime Udoka.

“I’ve had some pretty devastating moments in my life over the last couple of months,” she told Yahoo! Entertainment over the weekend.

“And I’ve had to just say, ‘It’s alright. You’ll pick yourself back up and’ — oh my god. I’m about to cry. ‘You’ll pick yourself back up and keep moving,’” she added as she fanned her face with her hands to stop herself from crying.

The “Missing” actress held back tears as she talked about how her life has been following her split from her fiancé.
Instagram/nialong

The “Best Man” actress’ emotional revelation comes four months after the Boston Celtics announced that Udoka, 45, would be suspended as head coach for allegedly having “an intimate relationship with a female member of the franchise’s staff.”

Following his suspension, Udoka issued a public apology to his team, the entire Celtics organization and his family for “letting them down.”

“I am sorry for putting the team in this difficult situation, and I accept the team’s decision,” he said in a statement to ESPN in September. “Out of respect for everyone involved, I will have no further comment.” 

Long was “blindsided” by Udoka’s cheating.
Long was “blindsided” by Udoka’s cheating.


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Long was “blindsided” by Udoka’s cheating.


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Long was reportedly “blindsided” by the affair and Udoka only told her about the cheating days before he knew the news would become public.

Two months later, Long spoke out about how the scandal has impacted her and Udoka’s 11-year-old son, Kez.

“I think the most heartbreaking thing about all of this was seeing my son’s face when the Boston Celtics organization decided to make a very private situation public,” she told The Hollywood Reporter last December.

“No one from the Celtics organization has even called to see if I’m OK, to see if my children are OK,” the “Boyz n the Hood” star continued. “It’s very disappointing.”

Udoka was suspended from the Celtics for allegedly having “an intimate relationship with a female member of the franchise’s staff.”
NBAE via Getty Images

Later that month, Long’s rep confirmed to People that she and the former NBA coach were “no longer together but remain fully committed to co-parenting their son.”

A source also told the outlet that “the situation is unfortunate and painful, but Nia is focusing on her children and rebuilding her life.”

Last December, a rep for Long revealed that the “Friday” actress called it quits with the former head coach.

Last December, a rep for Long revealed that the “Friday” actress called it quits with the former head coach.


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Last December, a rep for Long revealed that the “Friday” actress called it quits with the former head coach.


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Udoka and Long began dating in 2010 after meeting through mutual friends. In 2015, the former couple got engaged.

Long is also a mom to son Massai II, 22, from a previous relationship.



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Brooke Shields talks nude scenes in Sundance’s ‘Pretty Baby’

PARK CITY, Utah — It’s easy to forget that actress Brooke Shields was performing nude scenes in major films at 11 years old.

But the new Hulu documentary “Pretty Baby: Brooke Shields,” which premiered Friday at the Sundance Film Festival, reveals the actress was objectified and mistreated by Hollywood and the media in a manner that would be unconscionable today for a kid.

At 15, a director aggressively twisted her limb to get her to make an extreme face during a sex scene; her Calvin Klein jeans ads were called “child sex exploitation” by the papers; and the actress was raped by a filmmaker in LA shortly after she graduated from Princeton.

“Sometimes I’m amazed I survived any of it,” Shields, now 57, said in the doc. 

Her modeling career began in New York City in 1966 when she was barely a year old, with her mom Teri Shields acting as her manager. She worked frequently, and was featured in TV and magazine ads for BandAid, Bounce, shampoo products, and many other products. The little girl was the family breadwinner.

One publication called her: “America’s newest sexy kid.”

“I remember thinking, ‘I hope she’s OK,” childhood friend Laura Linney said in the documentary. “She was a young girl in an all-adult world.”

Her big break came in French director Louis Malle’s controversial 1978 film “Pretty Baby,” in which Shields played a 12-year-old New Orleans prostitute when she was 11 — and had to shoot several nude scenes.

Brooke Shields (right) attends the Sundance premiere of “Pretty Baby: Brooke Shields” with director Lana Wilson.
Chris Pizzello/Invision/AP

In the doc, she calls the movie “a real artistic endeavor,” but still uncomfortably recalled her kiss scene — her actual first kiss — with actor Keith Carradine, who was nearly 30 at the time.

“I’d never kissed anybody before,” she said, adding that Carradine told her, “This doesn’t count. It’s pretend. It’s all make believe.”

“I think I learned how to compartmentalize at an early age,” Shields added. “It was a survival technique.”

Her clothes were off again during 1980’s “Blue Lagoon,” a sex-heavy teen romance film in which her character got hot and heavy with her cousin, played by Christopher Atkins, on a deserted island. Shields was 14 then.

The next year brought one of her worst on-set experiences during shooting of “Endless Love.” Shields, who was a virgin at the time, had to shoot a sex scene with co-star Martin Hewitt. Italian director Franco Zeffirelli was unhappy with her facial expressions, so he got physical with the actress.

In 1980’s “Blue Lagoon,” a teenage Shields had ample sex scenes.
Bettmann

“Zeffirelli kept grabbing my toe and twisting it so I had a look of, I guess, ecstasy,” she said. “He was hurting me.”

Shields added: “I really shut down after that.”

(Zeffirielli, who died in 2019, told this same story blithely during a TV interview at the time.)

Escaping the film industry for a while, Shields attended Princeton as an undergrad. But when she graduated, having been absent from Hollywood for four years, she found it impossible to book gigs outside of foreign commercials. So, a friend called her to discuss a project she’d heard he was making.

Shields says she “shut down” after her negative experience with director Franco Zeffirelli during “Endless Love.”
AP

“We had dinner and I thought it was a work meeting,” she said. “There was to talk about the movie, the part in the movie.”

The man, who Shields does not name, said to come back to his a hotel to call a cab, and then told her to wait in his room.

“The door opens, and the person comes out naked,” she said. “He’s right on me … just like wrestling.

Today, Shields is married with two daughters.
AFP via Getty Images

“I didn’t fight that much. I didn’t. I just absolutely froze,” she added of the rape. “I cried all the way to my friend’s apartment.” 

Shields had never publicly discussed the alleged attack before this documentary.

Today the actress, who is married to husband Chris Henchy and has two teen daughters, speaks with pride about her career, but also rejects the way she was discussed, behaved toward and looked at in her youth.

“The entirety of my life was always, over and over and over again, ‘she’s a pretty face,’ ‘she’s a sex symbol,’” Shields said. “And that just seared me.” 

“Pretty Baby: Brooke Shields” his Hulu later this year.

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Emilia Clarke hatches an egg

PARK CITY, UTAH — The Mother of Dragons becomes The Mother of An Artificially Grown Fetus in “The Pod Generation,” a wobbly new science-fiction comedy that premiered Thursday night at the Sundance Film Festival.

Emilia Clarke from “Game of Thrones” stars in the satire of our increasingly close relationship with technology as Rachel, a futuristic workaholic who decides to have a baby using a “pod,” an egg-shaped, electronic device in which a fetus develops outside the mother’s body.


movie review

Running time: 101 minutes. Not yet rated.

It’s the hottest trend in New York — which in a few decades will be clean, gleaming and somehow spacious! — and there’s an original-iPhone-style waitlist for the privilege. For many, there are only upsides: ambitious types no longer need to take maternity leave from the office, or do any harm to their figures.

Of course, like a lot of hyped-up gadgets, Humpty Dumpty looks totally ridiculous. Moms-to-be awkwardly lug their cumbersome pods on the subway in a harness, earning judgmental glares from actual pregnant women.

But intensely focused, bliss-seeking Rachel doesn’t care about raised brows.

When she gets to the enviable front of the line, she pushes her unwitting husband Alvy (Chiwetel Ejiofor) to sign up with the pod’s Stepford Wifey founder Linda (Rosalie Craig). That’s a tough task. Alvy is a proud university botanist in a society that’s gradually doing away with the natural world (instead of hikes, people go inside “nature pods”), and he is skeptical of anything that defies what it is to be human, such as an Easy Bake Oven for babies.

Emilia Clarke played Daenerys Targaryen on”Game of Thrones.”

Nonetheless, he relents and surprisingly starts to grow attached to the digi-mom.

Meanwhile, we start to become antsy for more drama and less clever exposition. Only a fraction of a frisson comes from Rachel’s simmering insecurities as she struggles to develop a maternal connection to this idling Womba that rests on a glowing charger, vacuum style. It’s funny when she consults her artificial therapist, a giant floating eye positioned in the middle of a wreath like some freaky goddess. Yet, considering all her emotional turmoil, Rachel never raises her voice, and her and Alvy don’t have any fights.

Despite not having much meat to chew on, Clarke is solid and makes a statement that she can do domesticity as well as dragons. Rachel is a tad cool to the touch, though. Ejiofor, playing charismatic Alvy, is easier to embrace as he voices all our own doubts about this absurd situation.

Writer-director Sophie Barthes nobly resists the urge to succumb to an explosive dystopian conclusion a la “Black Mirror,” which is what her film otherwise feels like. However, in keeping “Pod Generation” a light comedy that pokes fun at topics as wide-ranging as Amazon’s Alexa and warring feminist sects, we grow weary of the monotony. The ending believes itself to be much more satisfying than it actually is.

A rather obvious “Brave New World” “a-ha!” moment comes a little while before that. In our ruthless quest for convenience, Barthes’ film suggests, we’ve handed our intimate lives over to corporations. Right now, it’s data; soon, it could be birth.

That’s all well and good. But a movie needs more than a smart idea and an impressively visualized concept of the future to run smoothly. Two thirds of the way through, “The Pod Generation”‘s battery is already at 1%.

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Alec Baldwin charged with involuntary manslaughter in shooting

Alec Baldwin will be charged with involuntary manslaughter over the fatal shooting of “Rust” cinematographer Halyna Hutchins, prosecutors announced Thursday.

Santa Fe District Attorney Mary Carmack-Altwies said in a statement that the film’s armorer, Hannah Gutierrez Reed, who oversaw the weapons on set, will also be charged with involuntary manslaughter.

Alec Baldwin will be charged with involuntary manslaughter over the fatal shooting of cinematographer Halyna Hutchins on the set of “Rust.”
Getty Images for National Geogra

“After a thorough review of the evidence and the laws of the state of New Mexico, I have determined that there is sufficient evidence to file criminal charges against Alec Baldwin and other members of the ‘Rust’ film crew,” Carmack-Altwies said.

“On my watch, no one is above the law, and everyone deserves justice,” she continued.

Hutchins died from a fatal gunshot wound on the set of “Rust” in October 2021.
halynahutchins/Instagram

Hutchins died shortly after the “It’s Complicated” actor was rehearsing with a prop gun that went off on Oct. 21, 2021. She was 42.

The movie’s director, Joel Souza, was also wounded, but Carmack-Altwies said Thursday that no charges will be filed specific to Souza’s injuries.

Story developing.

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John Larroquette claims he was paid to narrate ‘Texas Chainsaw Massacre’ in weed

He was paid a high price.

John Larroquette revealed Thursday that he and the director of the 1974 slasher film “Texas Chainsaw Massacre” made a deal that Larroquette would narrate the prologue of the film in exchange for marijuana, reports Parade.

“Totally true,” confirmed Larroquette, 75, “He gave me some marijuana or a matchbox or whatever you called it in those days. I walked out of the [recording] studio and patted him on the back side, and said, ‘Good luck to you!’”

According to the “Night Court” actor, he and Tobe Hooper struck up a friendship when Larroquette was working as a bartender in 1969.

“Tobe heard I was in town and asked for an hour of my time to narrate something for this movie he just did,” Larroquette recalled. “I said, ‘Fine!’ It was a favor.”

Laroquette did eventually get paid — in cash this time — as he went on to narrate several “Massacre” sequels.

According to the “Night Court” actor, he and Tobe Hooper struck up a friendship when Larroquette was working as a bartender in 1969.
IMDB/Vortex
“Tobe heard I was in town and asked for an hour of my time to narrate something for this movie he just did,” Larroquette recalled. “I said, ‘Fine!’ It was a favor.”
Shutterstock / Maxim Apryatin

“You do something for free in the 1970s and get a little money in the ’90s,” he said. “It’s certainly the one credit that’s stuck strongly to my resume.”

“Texas Chainsaw Massacre” killed at the box office making $30 billion out of its $100,000 budget and has since produced several spinoffs.

In a twist, Larroquette revealed that he had never seen any of the “Massacre” films.

“I’m not a big horror movie fan,”  explained the 75-year-old.

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Private reason Jamie Lee Curtis missed meeting Princess Diana: ‘I’m so sorry’

Jamie Lee Curtis says her dream of meeting Princess Diana went down the toilet.

In a new episode of Apple’s “Time to Walk,” the Hollywood actress says she was in the bathroom peeing when the princess came to visit the London set of her 1995 flick, “Fierce Creatures.”

“We had been told that day that Princess Diana and her children [William and Harry] were going to come visit,” the “Freaky Friday” star, 64, recalled. “We shot all morning, and when we took a tea break, for me, it was a pee break. I jumped in a golf cart and drove the two miles back to the dressing room.

Curtis continued: “I’m in my dressing room peeing when there was a pounding on the door, ‘Princess Diana is here.’”

Sadly, by the time the actress emerged for the meet and greet, Diana and her sons were already leaving the set and it was inappropriate to yell or run after them.

Curtis is seen with her “Fierce Creatures” co-stars (from left to right) Michael Palin, John Cleese and Kevin Kline on set in 1995.
Getty Images
Diana (pictured in 1995) visited the set with her sons, William and Harry.
UK Press via Getty Images

Despite not meeting Diana in person, the “Halloween” star penned a letter to the royal and sent it straight to Kensington Palace.

“It said, ‘I’m so sorry we didn’t get to meet. I was very much looking forward to it as I admire you greatly. Unfortunately, nature called, and they don’t give me many breaks, so I chose nature over you, not knowing that you were going to arrive right at that moment,” Curtis said she wrote. “I’m so sorry and just think you’re great. My best wishes, Jamie.’”

The next day, the star was stunned when she received a response from the Princess of Wales.

Princess Diana visited the London set of “Fierce Creatures” in 1995 — but Jamie Lee Curtis was in the bathroom.
Bettmann Archive

“I got a letter delivered from Kensington Palace from Her Royal Highness Princess Diana,” the actress enthused. “[It said] ”I’m so sorry I didn’t get to meet you, also. I admire you, and I totally understand when nature calls — of course you should choose that. I hope that we will have an opportunity in our lives to meet. Best wishes always.’”

Curtis described the letter as “beautiful” and stated that she still has it in her possession.

Diana was killed in a car crash two years after her visit to the set of “Fierce Creatures” and Curtis never met the princess.

However, she says she always thinks of the late royal when she reads the preface to the book “The Path to Insight Meditation,” which states: “When people have tried to live mindfully, at the time of their death, they ask themselves two questions: Did I learn to live wisely? And did I love well?”

Curtis says she always thinks of the late royal when she reads the preface of the book “The Path to Insight Meditation,”
Kevin Winter/Getty Images

Curtis says she believes Diana lived a full and meaningful life despite her untimely death at the age of 36.

“I realized that, if this book was correct, that meant whether or not it [Diana’s life] was cut terribly short, her life was complete. And on that tragic day, those questions became the questions of my daily life,” the star declared. “I don’t go to bed at night without asking those questions.”

“There isn’t a day that goes by that I don’t think about it,” she said of those important questions. “That has become the framework of my life.”

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Where to buy tickets, best prices

“Almost Famous” is almost done.

After opening on Nov. 3 at the Jacobs Theatre, the Broadway musical closes on Jan. 8 after 77 performances.

Based on Cameron Crowe’s seriocomic rock and roll 2000 film starring Kate Hudson, Frances McDormand, Phillip Seymour Hoffman, Anna Paquin and Jimmy Fallon, the play tells the coming-of-age tale of a plucky teen journalist who scores a gig with Rolling Stone in the 1970s following fictional band Stillwater.

And while the stage version trades in the movie’s grounded realism for showy musical numbers, the two do share four crowd-pleasing sing-a-longs that never fail to melt any heart. They are Stillwater’s “Fever Dog,” Lynyrd Skynyrd’s “Simple Man,” Cat Stevens’ “The Wind,” and Elton John’s “Tiny Dancer.”

Plus, according to The Wrap, Led Zeppelin’s “Ramble On” and “Whole Lotta Love,” Deep Purple’s “Highway Star,” and David Bowie’s “Jean Genie” and “It Ain’t Easy” all show up as well.

Best of all, some tickets are going for as low as $92 before fees on Vivid Seats.

Not bad for last-minute tickets before “Almost Famous” closes for good.

There’s even a show on Christmas Day at 8 p.m. if you’re looking for an unconventional way to spend the evening.

So, if you want to see this ode to classic rock, journalism and growing up at the height of the Watergate era, here’s everything you need to know.

“Almost Famous” 2022-23 schedule

Below, you’ll find the date, show start time and lowest

“Almost Famous”
show dates
Ticket prices
start at
Tuesday, Dec. 20 at 7 p.m. $211
Wednesday, Dec. 21 at 2 p.m. $133
Wednesday, Dec. 21 at 8 p.m. $92
Thursday, Dec. 22 at 7 p.m. $133
Friday, Dec. 23 at 2 p.m. $102
Friday, Dec. 23 at 8 p.m. $102
Sunday, Dec. 25 at 8 p.m. $102
Monday, Dec. 26 at 2 p.m. $211
Monday, Dec. 26 at 8 p.m. $154
Tuesday, Dec. 27 at 7 p.m. $101
Wednesday, Dec. 28 at 2 p.m. $152
Wednesday, Dec. 28 at 8 p.m. $101
Thursday, Dec. 29 at 7 p.m. $176
Friday, Dec. 30 at 2 p.m. $133
Friday, Dec. 30 at 8 p.m. $102
Tuesday, Jan. 3 at 7 p.m. $92
Wednesday, Jan. 4 at 2 p.m. $92
Wednesday, Jan. 4 at 8 p.m. $92
Thursday, Jan. 5 at 7 p.m. $92
Friday, Jan. 6 at 8 p.m. $102
Saturday, Jan. 7 at 2 p.m. $144
Saturday, Jan. 7 at 8 p.m. $126
Sunday, Jan. 8 at 3 p.m. $126

(Note: The New York Post confirmed all above prices at the publication time. All prices are subject to fluctuation and include additional fees at checkout.)

Vivid Seats is a verified secondary market ticketing platform, and prices may be higher or lower than face value, depending on demand. 

They offer a 100% buyer guarantee that states your transaction will be safe and secure, and your tickets will be delivered before the event.

“Almost Famous” cast

While the film is star-studded and features Oscar-winning actors and actresses, the musical doesn’t have a truly big name among its ensemble.

Here are the five leads you’ll want to take note of when you see the show though.

Chris Wood (Russell Hammond) played Mon-El in the hit CW series “Supergirl” prior to leading the “Almost Famous” ensemble. You may also recognize him for his work in “The Vampire Diaries,” “The Carrie Diaries,” and “Girls.”

Anika Larsen (Elaine Miller) is a stage veteran who has appeared in huge Broadway productions like “Beautiful: The Carole King Musical,” “Avenue Q” and “Rent.” She’s originally from Cambridge, MA.

Solea Pfeiffer (Penny Lane) might look familiar from her work on “The Good Fight” and “Scandal.” She’s also lined up a bit of work following “Almost Famous’” closing— she’s set to appear in Tyler Perry’s Netflix film “A Jazzman’s Blues” next.

Drew Gehling (Jeff Bebe) has done it all. “30 Rock,” “Succession,” “The Blacklist,” “Blue Bloods,” and “Smash” are just a few of his many credits. Onstage, he’s acted on Broadway in “Waitress,” “On A Clear Day…” and “Jersey Boys.”

Casey Likes (William Miller) makes his Broadway debut with “Almost Famous.” However, he is still an accomplished actor, having performed since he was three and appearing in the 2010 Will Ferrell dramedy “Everything Must Go.”

The complete cast list and bios can be found here.

Broadway musicals to see in 2023

Although the window to see “Almost Famous” is closing, many great Broadway musicals aren’t going anywhere anytime soon.

Here are just five shows you can catch on Broadway at any time at all (for the time being).

• “Hamilton”

• “Wicked”

• “Chicago”

• “The Lion King”

• “The Book of Mormon”

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Tom Cruise jumps from helicopter to thank ‘Top Gun: Maverick’ fans

A free-falling thank you!

Tom Cruise knows how to give his fans a proper thank you, taking a solo freefall dive ahead of “Top Gun: Maverick” release on Paramount+ to thank fans of the franchise for making the film a box office smash this past summer.

Cruise, 60, nonchalantly sitting along the outside of a helicopter, took time out from filming “Mission: Impossible – Dead Reckoning” parts one and two in South Africa to tell fans how grateful he was for driving the films theater success.

“I didn’t want the year to end without thanking you all for coming out to the theaters and thank you for supporting ‘Top Gun: Maverick,’” Cruise yelled over the blades of the helicopter.

Accompanying Cruise in the air was “Dead Reckoning” director Christopher McQuarrie, who reminded the action star they had to get back to filming.

Cruise with “Dead Reckoning” director Christopher McQuarrie moments before jumping out of the helicopter.
Paramount Pictures / Youtube

The “A Few Good Men” star agreed and got into position to jump, but before letting go, he asked McQuarrie if he would be joining him.

“Not on your life. Good luck,” the director said.

“We’ll see ya down there,” Cruise says before fearlessly letting go of the aircraft and entering a freefall.

But, even in mid-air, falling over 100 mph toward earth, Cruise still had more to say about how gracious he was to everyone who came out to see the film in theaters.

“Top Gun: Maverick” hit nearly $1.5 billion at the box office.
Getty Images

“As always, thank you for allowing us to entertain you. It truly is the honor of a lifetime,” he said, all smiles as he fell towards the ocean.

Before running out of altitude, the “Jerry Maguire” star said he had to get “back to work” and wished everyone “a very safe and happy holiday.”

“We’ll see you at the movies,” he finished saying before pushing away from the camera in mid-air and continuing his solo fall down.

Cruise after pushing himself away from the camera and starting the scene of the new “Mission: Impossible.”
Paramount Pictures / Youtube

“Top Gun: Maverick,” originally supposed to be released in 2019 but was pushed back following all the complex flight scenes and then the global pandemic, was one of Paramount Pictures’ biggest hits of all time, amassing nearly $1.5 billion worldwide.

In May of this year, after the film was released in theaters, Cruise revealed that the film was never planning on making its debut via streaming services despite years of setbacks from filming and the pandemic.

The new film has Cruise reprising the role of Maverick, who returns to the elite aviation training program to train the next generation of flyers, including Miles Teller, Glen Powell, Monica Barbaro, Greg Tarzan Davis, Danny Ramirez, Lewis Pullman and Jay Ellis. Jennifer Connelly, Jon Hamm and Val Kilmer, reprising his role from the original, also star.

“Top Gun: Maverick” will be released on Paramount+ on Dec. 22, 2022.

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