Reliance, Disney Announce Joint Venture to Merge Digital Streaming and TV Assets in India

Reliance and Disney on Wednesday announced a strategic joint venture that will merge their digital streaming and television assets in India. The merger will result in Reliance combining the businesses of Viacom18 and Star India into a single unit called Star India Private Limited (SIPL) through a court-approved scheme of arrangement. Reliance Industries Limited (RIL) will control 16.34 percent of the joint venture, whereas the other two parties, Viacom18 and Disney, will control 46.82 percent and 36.84 percent, respectively.

Reliance has also agreed to invest Rs. 11,500 crore in the venture which will be used to determine its growth strategy. The stakeholders have stated that the transaction values the joint venture at Rs. 70,352 crore on a post-money basis. The Chairperson of the new business unit will be Nita Ambani and Uday Shankar, the Co-Founder of Bodhi Tree Systems, will hold the position of Vice Chairperson and offer strategic advice. This merger is also expected to unite two of India’s leading digital streaming platforms — JioCinema and Disney+ Hotstar.

Disney will provide content licenses to the joint venture and bring its large catalogue of films and shows to the platform. Additionally, the company will also grant exclusive rights to distribute Disney films and productions in India, with a licence to more than 30,000 Disney content assets. Further, the Hollywood giant could also contribute additional media assets to the JV, however, those are subject to regulatory and third-party approvals.

Viacom18 and Star India will offer their domestic and global catalogues as well as sports live-streaming services to the joint venture. In the press release, Reliance said the venture will aim to lead the digital transformation of the media and entertainment industry in India and offer high-quality and comprehensive content.

Calling it a “landmark agreement”, Mukesh Ambani, Chairman and Managing Director of Reliance Industries said, “We have always respected Disney as the best media group globally and are very excited at forming this strategic joint venture that will help us pool our extensive resources, creative prowess, and market insights to deliver unparalleled content at affordable prices to audiences across the nation.” The transaction, which is currently subject to regulatory and other approvals, is expected to be completed by the end of the ongoing year, or by the first quarter of 2025.


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Reliance, Bodhi Tree Said to Take 60 Percent Stake in Disney India Merger

Billionaire Mukesh Ambani’s Reliance is close to merging its India media business with Walt Disney with a 51 percent-54 percent stake, a deal that values the US giant’s Indian operations at just $3.5 billion (roughly Rs. 29,043 crore), said three sources with direct knowledge.

The valuation of Disney’s India unit is sharply lower than the $15-$16 billion (roughly Rs. 1,24,475 crore – Rs. 1,32,774 crore) estimated when Disney acquired it in 2019. Disney’s TV and streaming business in India has struggled over the years, with its digital platform facing a user exodus in stiff competition over cricket streaming with Ambani’s platform.

The deal will strengthen Reliance’s hold over India’s $28 billion (roughly Rs. 2,32,351 crore) media and entertainment market, especially after a separate $10 billion (roughly Rs. 82,982 crore) merger deal between Japan’s Sony and India’s Zee Entertainment collapsed last week.

The three sources said Bodhi Tree, a joint venture between James Murdoch and former top Disney executive, Uday Shankar, is also set to take a stake of around 9 percent in the new merged entity. Disney will hold around 40 percent.

Reliance, Disney and Bodhi Tree did not immediately respond to requests for comment.

Reliance and Disney, which each have a streaming service as well as 120 television channels between them, have been in talks for months to create an entertainment superpower in the world’s most populous nation.

Under the deal being discussed, Viacom18, the broadcast division of Ambani’s Reliance Industries, will merge with Disney’s India businesses. Viacom18’s shareholders include Paramount Global as well as Bodhi Tree, which invested $500 million (roughly Rs. 4,149 crore) in the Indian company last April. Shankar also serves on Viacom18’s board.

Two of the sources said the final percentage stake numbers could change. The sources declined to be identified because the talks are confidential.

A deal could be closed by mid-February, the sources said. One of the executives said Viacom18 was also likely to infuse some cash in the merged entity.

The third source said the deal talks were in advanced stages and some tax related matters were still being ironed out, though broad contours were almost finalised.

Antitrust, cricket rights

A Disney-Reliance merger could face many antitrust challenges due to the market power they could wield, especially as Sony and Zee were close to a separate merged entity in India.

Those regulatory hurdles may now ease.

“With the collapse of the Zee–Sony merger, the market will now be less concentrated, making it easier for Disney-Reliance,” said Karan Singh Chandhiok, head of competition law at Indian law firm Chandhiok & Mahajan.

In India, despite its large population with growing incomes, the Burbank-headquartered entertainment giant has struggled to make money. Its streaming service makes less than a tenth of its Average Revenue Per User (ARPU) there compared to the United States and other international markets.

The US firm’s streaming service lost nearly 34 percent of its subscribers between October 2022 and August 2023, as Ambani started offering free cricket on his new streaming platform after out-bidding Disney for the Indian Premier League (IPL) cricket tournament rights.

Several top Disney India executives have joined Viacom18 in recent months.

Disney misjudged Indians’ willingness to pay, Disney sources have said, and the company recently changed tack by offering free cricket on smartphones, hoping the strategy will boost advertising revenue and offset the impact of a subscriber exodus, Reuters reported.

In November, Disney CEO Bob Iger said Disney’s TV channels were doing well in India, but other parts of the business were struggling and it was seeking to “improve the bottom line.”

© Thomson Reuters 2024


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Serial killer Mickey Mouse film trailer drops same day US copyright expires

Mickey Mouse isn’t just for kids anymore. 

A trailer has dropped for a horror comedy film in which Mickey Mouse is the psycho killer – on the first day that the 1928 Disney short film “Steamboat Willie” has entered the public domain.

“Steamboat Willie” was directed by Walt Disney, and it’s an 8-minute short that was the first film to introduce the famous cartoon. 

It was also considered groundbreaking at the time, for having synchronized sound. 

“Steamboat Willie” entered the public domain on Jan. 1, 2024, and shortly after, a trailer dropped for the horror indie “Mickey’s Mouse Trap.” 

The trailer features a sinister looking psycho in a Mickey Mouse costume, stalking people in an arcade. 

Mickey Mouse, the psycho killer in “Mickey’s Mouse Trap.” Simon Phillips Actor/YouTube
Mickey Mouse stalks and kills young 20somethings in a new movie. Simon Phillips Actor/YouTube

The movie will follow a young woman on her 21st birthday who is doing a late shift at an amusement arcade – so, her friends surprise her. But a masked killer dressed as Mickey Mouse has his own game to play with them all. 

The movie stars Sophie McIntosh, Callum Sywyk, Allegra Nocita, Ben Harris, Damir Kovic, Mackenzie Mills, Nick Biskupek and Simon Phillips.

Despite Disney trying to protect its characters, according to U.S. copyright law, works published between 1923 and 1978 are protected for 95 years following the date of publication.

Disney has tried to prevent this from happening, over the years — in 1998, it lobbied for the Copyright Extension Act, which added 20 years, adding up to 95 years. That act would eventually be dubbed the “Mickey Mouse Protection Act.”

Mickey Mouse in the 1928 short, “Steamboat Willie.” ©Walt Disney Co./courtesy Everett / Everett Collection
“Steamboat Willie” was considered groundbreaking for its sound. Simon Phillips Actor/YouTube

“Ever since Mickey Mouse’s first appearance in the 1928 short film ‘Steamboat Willie,’ people have associated the character with Disney’s stories, experiences, and authentic products,” a Disney spokesperson said in a statement.

“That will not change when the copyright in the Steamboat Willie film expires. We will, of course, continue to protect our rights in the more modern versions of Mickey Mouse and other works that remain subject to copyright.”

“Mickey’s Mouse Trap” director Jamie Bailey told the Hollywood Reporter, “We just wanted to have fun with it all. I mean it’s ‘Steamboat Willie‘s’ Mickey Mouse murdering people. It’s ridiculous. We ran with it and had fun doing it and I think it shows.”

The original 1928 script for “Steamboat Willie.” AFP via Getty Images
Mickey Mouse has evolved through the years, and “Steamboat Willie” was his first movie. AFP via Getty Images

In the original cartoon short, Mickey Mouse gets into mischievous antics, such as fighting with a goat and playing animals like musical instruments, but it was a kid-friendly cartoon with no slasher movie action. 

Bailey isn’t the only director to jump on Mickey Mouse’s new availability in the public domain – according to Variety, there’s another untitled horror movie in production directed by Steven LaMorte, also based on “Steamboat Willie,” in which a sadistic mouse will torment passengers on a ferry. 

Mickey Mouse is now a horror movie villain. Simon Phillips Actor/YouTube
“Mickey’s Mouse Trap” dropped its trailer right as “Steamboat Willie” entered the public domain. Simon Phillips Actor/YouTube

“Steamboat Willie has brought joy to generations, but beneath that cheerful exterior lies a potential for pure, unhinged terror,” LaMorte told the outlet. “It’s a project I’ve been dreaming of, and I can’t wait to unleash this twisted take on this beloved character to the world.”

“Mickey’s Mouse Trap” does not yet have an announced release date, but according to the outlet, it’s aiming for March. 

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Disney, Reliance Sign Non-binding Agreement for India Media Operations Merger: Report

Reliance Industries, India’s most valuable company, and Walt Disney signed a non-binding term sheet to merge their Indian media operations, the Economic Times reported on Monday, citing sources it did not name.

Under the merger, Reliance would own 51% through a combination of shares and cash, with Disney holding the remaining 49%, giving more control to Indian billionaire Mukesh Ambani’s Reliance group, the newspaper said.

The deal is likely to be completed by February, with Reliance aiming to finish the process by the end of January, subject to regulatory approvals, it said.

Reliance and Disney did not immediately respond to Reuters requests for comment.

Reuters reported two weeks ago that company executives were meeting in London to discuss the next stage of the media merger.

A merger would create one of India’s biggest entertainment empires, competing with television interests such as Zee Entertainment and Sony and streaming giants including Netflix and Amazon Prime.

Reliance runs many TV channels and the JioCinema streaming app through its media and entertainment unit, Viacom18. Ambani has been locked in a fierce battle with Disney, offering free streaming of the Indian Premier League cricket tournament, whose digital rights were once with Disney in India.

This has sparked a user exodus from Disney’s streaming app Hotstar in recent quarters. Since early this year, Disney has been exploring a sale or joint venture partnership for its India business, which includes many TV channels. The proposed deal would create a unit under Reliance’s Viacom18 to take control of Star India through a stock swap, the Economic Times said. The parties are working on a plan to invest $1 billion to $1.5 billion in the business, it said, without specifying whether this was the total or the amount each would invest.

The board is expected to include an equal number of directors from Reliance and Disney, with at least two representatives each, the newspaper said. They are also in consideration of having at least two independent directors, but this might change in the coming weeks, the report said.

(Reporting by Navamya Ganesh Acharya in Bengaluru; Editing by William Mallard)

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The Creator, Starring John David Washington, Is Set to Release on Disney+ Hotstar on December 20

The Creator is headed to Disney+ and Disney+ Hotstar on Wednesday, December 20. Gareth Edwards’ latest sci-fi affair set amidst a futuristic war between humans and AI, will arrive 82 days after its theatrical release on September 29, during which it collected $104 million (about Rs. 866 crore) at the global box office. That’s just short of the 90-day window Disney allows for its standard releases, which gradually grows in time based on how they perform in cinemas. The longer it generated money in theatres, the longer it took for the film to come to streaming. Avatar: The Way of Water was a critical example of that, coming to Disney+ after a whopping 173-day period, during which it shattered several box office records.

Disney continues its trend of providing poor localisation for movies that aren’t from the Marvel Cinematic Universe, by only presenting The Creator in the original English language. There is no mention of dubs anywhere across the press release or the announcements on Hotstar’s social channels. While the film managed to break the $100-million mark, as predicted by analysts, it still underperformed in Disney’s eyes, with the studio forking over $80 million (about Rs. 666 crore) in production budget. A disappointing $40.8 million (about Rs. 340 crore) was made within the US and Canada, with signs of a further failure of reach in international markets, which contributed another $63.2 million (about Rs. 526 crore). The PG-13 rating didn’t help its cause much, and it seems like any new IP — like The Creator — is failing to succeed with Disney.

Director Edwards’ previous film, Rogue One: A Star Wars Story, helped Disney dominate the box office by crossing the $1 billion mark — thanks to an established universe and a passionate fan base. Even the recent live-action remakes of classic Disney animated movies, such as The Little Mermaid, have performed incredibly well, generating around half a billion across a 90-day theatrical run. The Creator’s failure raises the question of whether the company will continue to experiment with and establish new franchises, instead of milking sequels and remakes.

Set in the year 2070, The Creator follows a grieving ex-special forces agent Joshua (John David Washington), who is tasked with hunting down the elusive architect of an AI that holds the power to end the raging war and mankind itself. The film also touches upon religious elements, while crafting a story about survival and parenthood, all the while Joshua ponders on the mysterious disappearance of his wife (Gemma Chan).

The Creator is out December 20 on Disney+ and Disney+ Hotstar. Unfortunately, in India, the movie will only be available in the original English language audio.


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Disney, Dapper Labs Team Up to Launch Digital Collectibles App, but Avoid the Term ‘NFT’

Disney has teamed up with Web3 gaming studio Dapper Labs to launch an app for fans to gather digital collectibles. The ‘Disney Pinnacle’ app is aimed at letting Disney fans digitise pin collections. Small and portable, Disney pins come in a variety of designs and represent popular Disney characters, movies, and theme park attractions. The initiative, however, has tried to keep away from the term ‘NFT’ — digital tokens infamous for their volatile nature in terms of value.

Disney Pinnacle will let fans purchase pins that are digital versions of those physical pins that remain popular at Disney amusement parks, AdAge said in a report on Tuesday.

The Disney-Dapper duo have opened a waitlist programme for interested people to register for an early access to the Disney Pinnacle mobile app.

“As the technology gets better we can sort of abstract it out more, so the word ‘NFT’ doesn’t show up anywhere in the product. The open nature of Web3 platforms is why we can have the full authenticity, and guaranteed tradability, and full ownership, and all of these features, that set these products apart from stickers in WhatsApp or whatever it might be,” Roham Gharegozlou, CEO of Dapper Labs, was quoted as commenting on the development.

Instead of NFTs, these digital Disney pins will be referred to as ‘digital collectibles.’ The duo’s decision to maintain a distance from the NFT tag could likely be an attempt to stay away from the uncertainty and suspicion surrounding NFTs. A recent dappGambl report claimed that most NFTs had lost their values in the backdrop of a shaky Web3 market.

All the digital pins that will be made available through this programme, meanwhile, will be based on Disney’s original intellectual property and will be minted on the Flow blockchain. Collectors will be given a platform, via the app, to buy and trade pins with others. They will be required to register themselves onto the Dapper wallet ecosystem that will be accessible from within the app.

Disney has been trying to test the Web3 waters for a while now. In February last year, the entertainment conglomerate had hired new executives to chalk out profitable metaverse strategies. The company was also looking to onboard corporate lawyers to tackle legal work around emerging technologies like NFTs and the metaverse.

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Hollywood Actors Reach Tentative Agreement With Movie Studios to End Strike

Hollywood actors and studios reached a tentative deal Wednesday to end a months-long strike that has crippled the entertainment industry, delayed hundreds of popular shows and films, and cost billions to the US economy.

The Screen Actors Guild (SAG-AFTRA) called off its 118-day strike from midnight (0800 GMT Thursday) after finally reaching an agreement with the likes of Disney and Netflix for a new contract including higher pay, and protections against the use of artificial intelligence.

The announcement paves the way for actors to head back to movie sets, an end to picket lines outside studios, and a return to employment for thousands of other jobs linked to the entertainment industry.

“In a unanimous vote this afternoon, the SAG-AFTRA TV/Theatrical Committee approved a tentative agreement… bringing an end to the 118-day strike,” a spokeswoman said in a statement to AFP.

In a message sent to union members, negotiators said the contract was valued at more than $1 billion and would enable members “to build sustainable careers.”

The Alliance of Motion Picture and Television Producers, which represents the studios, said it was “pleased” to have reached a deal, and trumpeted a “brand new residual for streaming programs,” without offering details. Residuals are long-term payments for shows after their initial release.

The deal still needs to be ratified by the union’s board, and members. That process could take weeks, but the agreement is widely expected to pass.

‘Incredible!’

Talks between the two sides had taken place almost daily for the past two weeks, with CEOs of studios including Disney, Netflix, Warner and Universal often attending personally, as the clamour for a deal grew.

Given the duration of the strike, studios already face gaping holes in their release schedules for next year and beyond, while many out-of-work actors have struggled to make ends meet, been forced to find second jobs or quit the business altogether.

The news spread instantly across Hollywood, with celebrities expressing joy and relief.

“Incredible! I’m so happy we were all able to come to an agreement. Let’s get back to work! Let’s go! I’m so stoked,” Zac Efron told reporters at a premiere for “The Iron Claw.”

“PERSEVERANCE PAYS OFF!” wrote Oscar winner Jamie Lee Curtis on Instagram.

‘Fair agreement’

SAG-AFTRA represents some 160,000 performers. While Hollywood’s elite stars earn millions, many less-known actors said it had become almost impossible to earn a decent living in recent years, as long-standing pay structures had failed to keep pace with inflation and industry changes.

When SAG-AFTRA walked out in mid-July, Hollywood writers were also on strike, although they have since resolved their own contract dispute.

It was the first time that the two unions had headed to the picket lines simultaneously since 1960, when actor (and future US president) Ronald Reagan led the protests.

Economists estimate the overall cost of the industry-wide Hollywood standstill at at least $6 billion, mainly from lost wages.

Studios, who have already delayed the release of major films such as “Dune: Part Two” and the next “Mission: Impossible” installment, will now be scrambling to restart productions on hit shows like “Stranger Things” in time for next year.

Given the vast backlog of productions waiting to resume, actors and soundstages are expected to be in high demand in the coming months, creating further bottlenecks for the industry.

Los Angeles Mayor Karen Bass welcomed the “fair agreement” that had been reached, noting that the strikes had “impacted millions in Los Angeles and throughout the country.”

“Now, we must lean in on local production to ensure that our entertainment industry rebounds stronger than ever and our economy is able to get back on its feet,” she said in a statement.

Residuals and AI

In resolving the standoff, both sides compromised on minimum pay, settling on an increase from the previous contract of around eight percent.

That is less than actors originally wanted, but higher than writers obtained, and the biggest increase in decades.

An improved bonus structure for starring in hit shows or films was also eventually agreed.

The growth of streaming platforms, who typically pay minimal “residuals” when a hit show gets rewatched, had severely eroded actors’ incomes, so the new provision on that front will be welcome news for performers.

AI proved a major sticking point in the final stretch of negotiations, as actors fear the technology could be used to clone their voices and likenesses.

SAG-AFTRA said the agreement includes “unprecedented provisions for consent and compensation that will protect members from the threat of AI.”

Full details of the deal will be published following a SAG-AFTRA board meeting to review the terms on Friday, the union said.


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Walt Disney Said to Hold Initial Talks With Blackstone Over Stake in Disney+ Hotstar, TV Business in India

Private equity firm Blackstone has held preliminary discussions with Walt Disney to acquire a stake in the Indian arm of the entertainment firm, two sources familiar with the matter told Reuters on Wednesday.

Blackstone is the latest suitor for Disney’s assets in the hyper competitive Indian market, where it has been exploring a sale or a joint venture partner for the digital and TV business.

Blackstone and Disney declined to comment.

Blackstone-backed US media firm Candle Media, founded by former Disney executives, led conversations between the two parties last week, one of the sources said.

Indian newspaper The Economic Times first reported the talks earlier on Wednesday. Disney has also held talks with Indian billionaires Gautam Adani and Sun TV Network owner Kalanithi Maran, Bloomberg News reported last week.

With subscriber exits accelerating, Disney has sought to revive the fortunes of its streaming business in India by offering free cricket on smartphones, betting that the strategy will boost advertising revenue.

It has meanwhile lost streaming rights for some key cricket tournaments to Indian billionaire Mukesh Ambani’s broadcasting unit – including the Indian Premier League and the national cricket team’s bilateral matches.

In July, it was reported that Disney’s India streaming service Disney+ Hotstar was planning to start enforcing a policy of allowing its premium users to login from only four devices, in an effort to limit password sharing in the key market.

Disney’s rival Netflix in May started telling subscribers in more than 100 countries they will need to pay more to share the service with people outside their household.

© Thomson Reuters 2023


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Loki Season 2 Premiere Draws 10.9 Million Viewers Globally in Just Three Days

Loki season 2 is celebrating a solid opening weekend. As per Disney, the premiere racked up an impressive 10.9 million viewers globally during its first three days, since its October 5 premiere in the US (October 6 in India, and everywhere else). With these numbers, it has become the second-most-watched premiere of 2023, sitting right behind The Mandalorian season 3, which dropped in March. A view is calculated by hours viewed divided by the total runtime of a film or show, which is the same format Netflix embraced in June. Given Loki season 2 episode 1 has a 45-minute runtime, the total viewed hours equate to 490.5 million minutes/ 8.17 million hours.

These are great numbers for Disney+, whose Marvel Cinematic Universe small-screen lineup has struggled to gain mass appeal. For instance, their newest Samuel L. Jackson-led Secret Invasion premiere only drew 994,000 viewers in the US, within the first five days. While Disney hasn’t released regional breakdowns for Loki season 2’s viewership, its popularity is clear as day, considering the streamer is confident enough to release numbers within just three days. You see, it was only recently that Disney started reporting viewership numbers, and even then, they were all based on a five-day time span. The Star Wars series Ahsoka opened to 14 million views, with two extra days, proving that Loki’s numbers are stronger.

The same five-day tally system is being applied to Disney+’s movies as well, with The Little Mermaid live-action remake pulling in 16 million views and Elemental reporting 26.4 million views. It’s not surprising to see Loki season 2 doing well, given the first season was Marvel’s most successful show, as confirmed by MCU President Kevin Feige in 2022. The new chapter sees Tom Hiddleston reprising his role as the titular God of Mischief and embarking on time-hopping adventures with an alternate version of TVA agent Mobius M. Mobius (Owen Wilson), who doesn’t recognise him. Loki’s plans to reunite with his original team hits a hurdle when his body begins to distort and plops him into past and future timelines. Oscar-winner Ke Huy Quan (Everything Everywhere All at Once) is a new addition to the cast, playing a TVA archivist OB.

Late last month, Disney+ confirmed in an email to its Canadian subscribers that it will begin restricting password sharing, starting November 1, a lot sooner than CEO Bob Iger’s original plans. The terms were quite unclear, but it suggested that users would soon be prohibited from sharing accounts with those outside their ‘household’ — which refers to devices associated with a primary personal address. The company will constantly monitor user activity and if it detects a user breaking the rules, it will limit access to streaming or entirely terminate the account. Netflix was the first to crack down on password-sharing and in the process, gained 6 million new subscribers in July.

New episodes of Loki season 2 drop every Friday on Disney+ Hotstar.


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ICC Men’s Cricket World Cup 2023: Disney+ Hotstar Adds MaxView Video Streaming, Live Feed Card, More

The ICC Men’s Cricket World Cup is all set to kick start on October 5 in Ahmedabad, and Disney+ Hotstar is offering coverage of this year’s international championship in India for free. As we are getting closer to the 13th edition of the competition, Disney+ Hotstar has announced a new MaxView feature in association with the International Cricket Council (ICC). This functionality will allow cricket fans to watch the game in vertical mode on the OTT platform. Additionally, the streaming giant has updated its Android and iOS apps with a live feed tab, Scorecard tab, and AI-based video clarity enhancements.

Disney+ Hotstar, via press release on Tuesday (October 3), announced the addition of new features for mobile users. The streaming platform is offering a new MaxView feature in collaboration with the ICC. This functionality would allow users to watch the game in vertical mode (9X14 portrait view), facilitating a one-handed viewing experience. The live feed tab and Scorecard tab will also be available in vertical mode, along with vertical ad formats. Users can avail of single-player frames in MaxView mode to get a closer look at their favourite player. It will also show a split view.

Further, the company claims that the updated Disney+ Hotstar app has been optimised to reduce data usage while ensuring high-quality streaming. The platform has also added an AI-based filter at the backend to improve the viewing experience on mobile devices.

Furthermore, the OTT platform has added an always-on cricket scorecard pill. This update will let users keep track of live games while accessing other content on the platform. Additionally, Disney+ Hotstar is bringing a new content discovery feature known as the Coming Soon tray. Viewers can set reminders for upcoming content with this facility. Furthermore, the platform will segregate free and paid content in separate trays by providing free callouts on the homepage trays.

During the ICC Men’s Cricket World Cup, the platform will also show “free badges” that will assist non-subscribed customers in discovering content available to them for free.

The Disney+ Hotstar Super subscription in India starts at Rs. 899 a year with advertisements, offering a 1080p experience. The ad-free Premium package costs Rs. 1,499 and supports Ultra-HD resolution streaming. The Mobile subscription with ad support is priced at Rs. 499 a year.


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