Stream It or Skip It?

Encanto at the Hollywood Bowl arrives on Disney+ after it was filmed before a lively audience this past November at the venerable Los Angeles amphitheater. With an introduction by songwriter Lin-Manuel Miranda and featuring members of the film’s original voice cast, Encanto at the Hollywood Bowl recreates the Madrigal family’s casita for the stage, incorporates backup dancers, a full orchestra and a Colombian band, and includes appearances by Colombian superstars Carlos Vives and Andres Cepeda.

The Gist: There’s a packed house on hand at the Hollywood Bowl, where an animated butterfly and lush, blue-tinted lighting emulate the animation and color palette of Encanto, Disney’s Academy Award winner for Best Animated Feature that was still dominating families’ Spotify mixes for a year after its 2021 release with impossibly catchy songs like “The Family Madrigal,” “We Don’t Talk About Bruno” – a number that for awhile there became its own miniature cultural zeitgeist – and “All of You,” performed by Colombian singing legend Carlos Vives. Lin-Manuel Miranda, who wrote eight original songs for Encanto alongside composer Germaine Franco, appears at the Bowl to introduce the production, which he notes is the first time the original cast of Encanto has sung together onstage, since the film was made during the pandemic.  

As spectacular digital and lighting effects combine to realize the casita and surrounding magical village of Encanto, Stephanie Beatriz appears as Mirabel Madrigal, complete with flowing skirt and rimless spectacles. And as she sings “The Family Madrigal,” the other cast members are introduced, including Jessica Darrow and Diane Guerrero as Mirabel’s sisters Luisa and Isabela, Carolina Gaitan and Mauro Castillo as Aunt Pepa and Uncle Felix, Olga Merediz as Mirabel’s Abuela (Merediz also performed the singing portion of the role in Encanto), and Adassa as Pepa and Felix’s daughter Dolores. Just like in the film, the “grand kid roundup” and “What about Mirabel?” call-outs in “Family Madrigal” are a big hit with the live audience. 

A troupe of dancers and prop artists are a constant presence on the stage at the Bowl, which shifts in color from blue to yellow and orange while visual effects emulate brickwork and a large video screen plays snippets of the original film. Darrow performs an ebullient, lighthearted version of Luisa’s signature song “Surface Pressure,” Guerrero is often surrounded by digital and practical floral patterns as she sings, and “We Don’t Talk About Bruno” features Gaitan and Castillo in brilliant yellow, Adassa in red dancing through the audience, and dancers in fantastical rat costumes accompanying a giant Bruno puppet as it moves through the amphitheater.

Photo: Disney+

What Movies Will It Remind You Of? In addition to Encanto at the Hollywood Bowl, Disney+ also features a few other productions that draw from film or recorded music, stuff like Elton John Live: Farewell from Dodger Stadium and Idina Menzel: Which Way to the Stage?

Performance Worth Watching: While the entire Encanto at the Hollywood Bowl ensemble hit their marks and keep the energy level high, this feels like Stephanie Beatriz’s show from the second she takes the stage to ecstatic cheers as the exuberant human form of Mirabel Madrigal.   

Memorable Dialogue:Colombia, te quiero tanto! Que siempre me enamora tu encanto!” It’s never a bad option to have one of Latin music’s all time greats on hand to close out your soundtrack and lively stage production, and for Encanto at the Hollywood Bowl, the one and only Carlos Vives adds a shot of joyous adrenaline to the finale, reprising his hit song “Colombia, Mi Encanto” as the stage is filled up with cast members and supporting players and he’s bracketed by US and Colombian flags.

Sex and Skin: What? Ay, dios mio. Not here!

Our Take: “This is a movie about family. So while we’re on that stage, we’re all one big family!” The cutaway midway through Encanto at the Hollywood Bowl is a little awkward, as Lin-Manuel Miranda delivers a video message to the Santa Monica-based children’s choir that will perform the ballad “Dos Oruguitas” with Colombian singer Andres Cepeda. It feels like a vestige of a longer program, a piece of background story that would have also included vignettes on vocal rehearsals and set design. None of those latter elements are included here, which means the detour into the choir’s practice room, complete with gushy interview bits from the young singers themselves, removes us from the lush production standard that’s well established by the time it appears. Encanto certainly is about family. But it’s also an immersive film that transports the viewer to the magical place where the Madrigals’ individual gifts enliven the quality of life in the village. In the Hollywood Bowl show, the music and performers help recreate that setting. But it’s also realized through a host of spectacular lighting and visual effects, dancers drifting through the amphitheatre’s aisles, and a pace that doesn’t let up, ensuring the attention of the children captured singing along as their favorite movie moments are realized in live action and sound. The brief interlude with the choir isn’t really a misstep. But it does feel like padding for an otherwise bright and energetic concert special that doesn’t really require this kind of filler.    

Our Call: Stream It. Encanto at the Hollywood Bowl recaptures the spark of the Oscar-winning film in sound and vision, with lively takes on all of its major songs and a familial atmosphere that effectively encapsulates its themes of inclusion, culture, and quirky personalities.



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‘Stranger Things’ Star Priah Ferguson Shines in Netflix’s ‘Curse of Bridge Hollow’

Erica Sinclair has long been the secret MVP of Hawkins, so Stranger Things fans should be happy to learn that Priah Ferguson—aka Erica from Stranger Things—finally gets to take the lead in Netflix’s new movie, The Curse of Bridge Hollow, which began streaming on Friday. And while it’s hardly an Oscar-winning screenplay, it’s proof that Ferguson is, in fact, leading lady material. Let Erica fight a Demogorgon in Stranger Things Season 5 challenge!

Starring comedian Marlon Wayans, who also produced the film, The Curse of Bridge Hollow tells the story of a 14-year-old girl named Sydney (Ferguson), whose life is upended when her father (Wayans) moves the family from Brooklyn to the small town of Bridge Hollow. At least Sydney’s new town is really into her favorite holiday— Halloween—but this provides little comfort when her dad, a science teacher, dismisses the spooky decorations in town as childish.

Sydney decides to defy her dad’s wishes and celebrate Halloween anyhow. She buys a costume and a toy bat, and she lights a spooky Jack-o-lantern that she found in their new home’s attic. Unfortunately, it turns out that spooky Jack-o-lantern was actually a cursed turnip that, when lit, unleashes powerful dark magic. And you know what that means—all the Halloween decorations in Bridge Hollow are magically brought to life and start terrorizing the town.

It’s an appropriately silly concept for a very silly movie. Don’t look too closely at the script, or you’ll find yourself wondering why Sydney’s mom (played by Kelly Rowland) responds to her daughter’s freak-out about anthropomorphic Halloween decorations by giving her permission to go to a Halloween party. (Truly, what?) But the fun part is watching Ferguson shine. Much like Ferguson’s Stranger Things character, Sydney is spirited and independent. When her dad asks if she bought Halloween decorations specifically to annoy him, she replies, “No, I’m trying to have fun. Annoying you is just a bonus.” It’s all too easy to picture Erica saying those exact words to her brother Lucas.

Frank Masi/Netflix

But unlike Erica, who hasn’t yet had a big battle scene in Stranger Things, Sydney gets a chance to grapple with some monsters head-on. In one memorable scene, she calls out, “Hey, itsy-bitsy!” before absolutely annihilating a giant, hairy spider with a freakin’ flamethrower. Yes, girl! Somewhere in the Forbidden Forest, Aragog is shaking.

Plus, Ferguson is the one to deliver the rousing motivational speech that keeps the gang going. When an army of animated skeletons descends, Sydney hypes up her father, who earlier confessed his fear of the inexplicable. “So it’s unexplainable,” she tells her dad. “So what? They’re real. You know what you can do to something that’s real? You can kick its ass!” Moved by his on-screen daughter’s words, Marlon Wayans proceeds to destroy those skeletons to AC/DC’s “Highway to Hell.” It’s a beautiful moment.

If The Curse of Bridge Hollow proves anything, it’s that Erica needs to get a promotion in Stranger Things Season 5. This girl is clearly ready to kick Vecna’s butt.

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Stream It or Skip It?

The continuing adventures of Ivy and Bean adventurously continue with Ivy and Bean: The Ghost That Had to Go, the second of their three hour-long outings on Netflix. The first, a monumental origin story simply titled Ivy and Bean, introduced us to introvert Ivy and extrovert Bean, two wildly imaginative little girls who meet and form an utterly charming duoship surely destined to not only rule their idyllic suburban cul-de-sac, but also their school, their town and probably the world. This chapter in their saga finds them attempting to control the teachers’ bathroom at school, which is kind of a long story, so let’s get into it.

The Gist: First things first: You don’t need to have seen the debut Ivy and Bean to enjoy this one, but it’d explain why Ivy (Keslee Blalock) has a dead frog in a baggie in the fridge. Her mom (Jaycie Dotin) is perfectly fine with that, by the way, which may tell us something about their relationship, if you’re into reading into things. It has been established that Ivy is now BFFs with her neighbor Bean (Madison Skye Validum), and they will do their best to remain inseparable in school. Bean does nothing as normal people would, so they enter the school via a backdoor to the teachers’ restroom, and it’s there that Ivy sees old pipes rattling by the ceiling and wispy things emerging from the vents, and deduces that they’re ghosts.

It also has been established that the figments of our protagonists’ imaginations are frequently visually dramatized, so there’s a good chance that the ghosts do not indeed exist. But that doesn’t stop Ivy from concocting a plan to eradicate them using spells from a kinda creepy spell book and potions consisting of strange ingredients from her inventory of dead frogs and the like. Eventually there will be a scene in which she dons a cape and goth-girl lipstick and eye makeup in order to cast said spells, and in that moment one may come to the conclusion that she’s the most adorable devil-worshiping occultist in the history of television.

But let’s not get too far ahead of the plot. It has to reintroduce us to Bean’s older sister and nemesis, Nancy (Lidya Jewitt), who’s the Smithers to this series’ Mr. Burns, Principal Noble (Jane Lynch!), who loves fancy shoes like Scooby and Shaggy love doing brainmelting bong hits. Apropos of nearly nothing, we also meet Ivy and Bean’s teacher, Ms. Aruba-Tate (Sasha Pieterse), who exacerbates character development by frequently condemning Ivy and Bean to the timeout rug – notably, something Ivy never had to do before she met Bean. Ivy determines that a lock of Nancy’s hair, nipped after midnight, is necessary for her unholy ghost-damning concoction, setting off a series of events that includes its share of toilet-based comedy, quite literally.

What Movies Will It Remind You Of?: If the first Ivy and Bean was like an estrogenic take on Diary of a Wimpy Kid, The Ghost That Had to Go adds a Captain Underpants-ish wrinkle by establishing a wacky-principal antagonist.

Performance Worth Watching: Pour one out for Lynch, who endures a scene in which she farts several times while not realizing children are within smellshot in order to once again play an intimidating character who exists in the sweet spot between hilarious and menacing.

Memorable Dialogue: Adults watching this series with their kids are bound to appreciate the highly relatable truisms the parent characters occasionally utter. Example: Nancy reallyreallyreally wants her ears pierced, but her mother (Marci T. House) won’t let her. “Honey, I just want a little bit of you not to grow up so fast. And I’m going for your earlobes for now,” she says.

Sex and Skin: None.

Our Take: The Ghost That Had to Go features exactly zero closeups of moldering dog dukey compared to its predecessor’s too many, and swaps out the meanie-neighbor-lady character played by Nia Vardalos for a solid helping of Jane Lynch. That’s a net improvement so far.

But it also clutters up the proceedings with a few of Ivy and Bean’s boring classmates, and stages its noisy climactic sequence in the can, where we watch in horror as all the characters don’t seem as grossed out by the idea of overflowing toilet water as they should be. So perhaps the assertion being made with the Ivy and Beans is, hey, girls can appreciate grossout humor too! Which is a dubious attempt at equal-opportunity gender-demographic entertainment, because I’m sure a lot of us believe the boys can have their worms and gagging noises.

The debut special balanced the (literal) dog crap with the undeniable cuteness of two kids making unlikely friends and indulging their imaginative impulses, often at the expense of Nancy, who’s sort of sympathetic, but also sort of an egocentric goody-goody who could use a mudball in the face on occasion. That stuff is less abundant in Ghost, but still present among the chaos and mayhem. So a rough final tally? Second verse, pretty much the same as the first – and so far, so good.

Our Call: STREAM IT. The Ivy and Bean series glorifies friendship and imagination – and mischief, which sets it apart from the usual glossy Disney Channel-type fodder for the tween/grade-schooler demo. It’s not smashing any molds, but it’s fun and amusing and lightly nonconforming.

John Serba is a freelance writer and film critic based in Grand Rapids, Michigan. Read more of his work at johnserbaatlarge.com.

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