Warner Bros. Says It Will Transform Its Biggest Franchises Into Live Service Games

Warner Bros. will be heavily veering into a live service model for its future games. During its latest Q3 earnings call, CEO David Zaslav confirmed that the company plans to transform its biggest video game franchises into long-term products, bolstered by regular content drops and heavy monetisation. In recent years, gamers have developed a distaste for such money-hungry practices, which often lock out content behind some form of paywall or a battle pass, instead of providing a complete game at launch. The idea is for players to keep playing WB-published games for months, instead of having AAA developers put out a new game every three to four years — which is the general cycle.

“Ultimately we want to drive engagement and monetization of longer cycles and at higher levels,” Zaslav said during the call. “We are currently under scale and see significant opportunity to generate greater post-purchase revenue.” It’s an ironic statement considering the backlash Rocksteady Studios received when it debuted the gameplay trailer for Suicide Squad: Kill the Justice League, following which the game was delayed. While the studio claimed that it needed more time to ensure polish at launch, several reports suggested that it was being pushed into next year due to the inclusion of live-service elements. The developer was known for creating standalone, single-player Batman experiences through its Arkham series of games, but its latest title took a complete detour indicating heavy grinding for loot and gear, alongside purchasable cosmetic items.

What’s worse is that while the entire main cast of the Suicide Squad game — Captain Boomerang, Deadshot, Harley Quinn, and King Shark — have unique abilities, by default, they are all armed with firearms and seem to play the same. The gameplay loop includes hunting down mobs and bosses in repeated succession, taking a generic looter-shooter approach. In fact, Turtle Rock Studios’ Back 4 Blood also followed a similar always-online games-as-a-service pattern but eventually ran out of content. Gotham Knights was always marketed as a single-player/ co-op story game, but take one look at its menu and run around town beating up thugs, and you’ll immediately realise that the originally laid groundwork for progression was for a live-service game. It seems like developer WB Games Montréal noticed how poorly Square Enix’s Avengers game fared and decided to change plans midway through. And let’s not forget Middle-earth: Shadow of War, whose microtransactions were entirely removed following player feedback.

The aforementioned games were all published by Warner Bros. and therefore, should serve as a cautionary tale. However, CEO Zaslav is doubling down on these practices, despite noting how well Hogwarts Legacy performed from a sales and critical perspective — 700 million collective hours played till date. Meanwhile, Mortal Kombat 1, which featured some aggressive microtransactions, sold 3 million copies. The executive appears to be relying on these success stories to chart a new course for its video games division, instead of looking at failures and understanding why it failed. Developers who create single-player games are not the same as those adept in multiplayer/ live-service experiences, and vice versa.

Earlier this year, WB launched the beta version of MultiVersus, a free-to-play crossover fighting game that brought in characters from various self-owned properties like Game of Thrones, Batman, Superman, and more. It also featured a battle pass for cosmetic items. The game’s servers were shut down in June due to a diminishing player count. It is slated to launch sometime in 2024, but we’ll have to wait and see if it materialises.


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Hurrah for new HBO boss for uncanceling J.K. Rowling

Expelliarmus! And faster than you can say Severus Snape, the dork magic that is wokeness has been neutralized. J.K. Rowling is being let out of her PC jail cell by the new chief of Warner Bros. Discovery.

You may have noticed that when it came time to engineer a Harry Potter 20th-anniversary reunion on New Year’s Day for HBO Max, the company seemed to treat Rowling like a muggle. She appeared only in archival footage. That was strange, but then again, Daniel Radcliffe, Emma Watson and “Fantastic Beasts” star Katherine Waterston have all taken disgraceful/ungrateful little pokes at Rowling. HBO Max seemed uncertain whether she deserved a lot of attention at a Harry Potter celebration. It’s not like she was important to that franchise or anything.

But this spring a new headmaster, David Zaslav, came in to run Warner Bros., which made the Harry Potter films. Zaslav has already made two big, and hilarious moves: Canceling CNN+, and uncanceling Rowling. Zaslav is meeting with Rowling to discuss new Harry Potter projects, reports the Wall Street Journal.

That’s news because as the Fantastic Beasts series dwindles into oblivion, the industry trades have been a little quiet about new Rowling projects lately. (Lately she popped up in the news when Vladimir Putin complained that the West was canceling Russia just like it canceled Rowling. Rowling fired back that she didn’t invade Ukraine).

Presumably, we’ll be getting some new Rowling/Potter content. Hurrah! The Prisoner of Wokezkaban is free.

Rupert Grint, Emma Watson and Daniel Radcliffe sit at the Harry Potter reunion.
Rupert Grint, Emma Watson and Daniel Radcliffe took jabs at Rowling during the franchise’s 2021 reunion.
Twitter/HBO Max

Rowling, known for holding such extremist views as “women are a different thing from men,” was subjected to online harassment from Twitter mobs who insisted that her reputation be cast into the hellfire flames of Mordor. [I think you’re getting mixed up with a different franchise —Ed.] Although most of Rowling’s antagonists appeared to be either spotty 14-year-olds or adjunct professors of gender studies, AT&T proved that a $100 billion-dollar corporation can cave quicker than the French army in 1940 and cast the Cloak of Invisibility over Rowling.

Zaslav, who according to the Journal is such a workaholic that he starts work at 6 a.m. and is pushing for the Starbucks on the Warners lot to stay open 24 hours, has been flicking his lightsaber in every direction to cut costs [Do you even watch these movies? — Ed] and reduce headcount at the newly-rechristened company. He even dared to ask execs why Warners made the terrible Clint Eastwood movie “Cry Macho” last year. (Answer: Eastwood’s previously made non-terrible movies, so we owe him this.) So his apparent willingness to make big bets on Rowling indicates he thinks she’s vital to the company’s future growth prospects, Twitter be damned.

Zaslav wants to stream Harry Potter flicks on HBO Max, which produced the franchise’s reunion last year without including Rowling.
Willy Sanjuan/Invision/AP

Zaslav has also signaled he wants CNN to sound more like a news network and less like an all-night meeting of the Bard College Young Hysterians Club. “I think people in America are looking for a place where people aren’t yelling and giving opinions,” Zaslav told CNBC this week, “and they’re looking for more news and so that’s what you’ll see from CNN.”

Along with the moves by Ron DeSantis, who refused to be bullied by Woke Disney; Elon Musk, who has vowed to unshackle speech on Twitter (if he ever actually buys it); and Netflix, which last week informed its squeaky-toy coterie of aggrieved activists that Dave Chappelle is more important than they are and “Netflix may not be the best place for you,” the rise of Zaslav suggests that the Great Unwokening may already have begun.

The way things are going, it may soon be safe to state true things again.

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