‘Reacher’ Season 2 Episode 4 Recap: “A Night At The Symphony”

It’s convenient for us that Shane Langston, Robert Patrick’s harrumphing, frowny-faced New Age Technologies security director and revealed afterhours helicopter body tosser, is so bent on keeping Reacher and his people off his trail, because it’s Langston’s henchperson rolodex stocking Reacher Season 2 with increasingly entertaining fight sequences. The team Langston sent to Atlantic City with orders to kill? Dixon and the big fella submerged their bodies in cement. The house in Queens, stocked with New Age security personnel and hired muscle? Reacher and his crew went full obliteration mode on that attempt, complete with an improvised explosive device. (Plus an improvised gas grill projectile.) And here in Reacher Season 2 Episode 4, in this season’s best donnybrook yet, a motorcycle gang Langston must keep on retainer for this sort of thing gets their asses handed to them by the special investigators. It’s like nine on four but that doesn’t matter. Reacher doesn’t even wait for the leader’s cocky schpiel. And he doesn’t reserve his trademark head butt move for just smashing faces, instead using his skull to demolish a dude’s humerus, ulna, and radius. Faces, fists, clubs, blades – whatever it takes. Karla Dixon even puts the spiky heel of her shoe through an MC guy’s eye.

That’s right, Reacher and the special investigators did all of this goon dispatchment in formal wear, the reasons for which we’ll get to in a second. What’s more important about the group’s impromptu trip to Boston is how it leads to a reunion with Malcolm Goodwin as Oscar Finlay. Reacher leaving Margrave, Georgia at the end of last season to resume his wandering existence suggested we wouldn’t see any more of the allies he’d made there. But in a really cool throwback, it’s Finlay Reacher contacts when the team needs a hand. It turns out Margrave’s chief of detectives didn’t retire, but instead returned to his hometown to become a lieutenant with Boston PD. And so, when the team needs to lean on the slimeball legislative director of a senator linked to New Age, they tap Finlay to make their ruse about ensnaring him in a drug bust look real. Finlay pulling the guy into custody, Reacher and O’Donnell in suits, playing at being FBI agents – it does the trick, and sets a strong precedent for Reacher to keep bringing back favorite former players. Roscoe Conklin, you still out there?    

The ex-110’ers have made more sense of the numerical data Franz left behind. It’s a tally of attempts. 2,197 events completed, but only 1,547 successfully. With 650 as the difference. As in 650 at $150K. The documents pilfered from their vehicular B&E at New Age also connected a certain Senator Lavoy to a weapons project the aerospace firm codenamed “Little Wing.” O’Donnell, in his private sector work, often ensnares beltway operators in deals for dirt.

And his methods are perfect for convincing the senator’s legislative aide to talk. Dixon and Neagley, in gowns, target Daniel Boyd (Kyle Mac) at Boston’s Symphony Hall. A little bit of flirting, a little bit of planted cocaine, and Boyd’s in more than a little bit of trouble with Finlay and the police. Boyd sings to Reacher and O’Donnell about Little Wing, anti-missile software that New Age tweaked for use in shoulder-fired rocket systems. Only about that money, the aide and the senator assumed Little Wing would never fall into enemy hands. They were naive. And now it seems like Langston is selling this deadly New Age tech to the highest bidder.

Russo watch: the movements of Gaitano “Guy” the NYPD detective are becoming, as they say, totally sus. It’s easy to agree with Russo’s boss, Lieutenant Marsh (Al Spienza), who gives him an earful about the smash-and-grab at New Age Technologies, which occurred before the detective could execute his hastily requested search warrant. “And I bet it was those tin soldiers you were supposed to be keeping your black eye on,” Marsh shouts at Russo, who then orders his boss to keep his voice down – that seems bold – and then swears he’ll make the whole thing right. Reacher’s wise to keep Russo in contact, but at arm’s length. He doesn’t tell the detective about the team’s trip to Boston until they’re already going. And even if Reacher is just annoyed with Russo, not suspicious of his motives, we still are.   

What about that other loose end, the man known only by his A.M. aliases? In Denver, the swarthy chameleon murders a cosmetic surgeon so he can steal his identity and fly to JFK for his previously scheduled meeting with Langston. Reacher and his people have discovered that New Age has a manufacturing facility in Denver, the kind of place one might combine top secret guidance software with the hardware of shoulder-fired rockets. Their plan? Send Dixon and Neagley west on the trail of that hardware, while Reacher and O’Donnell head to Homeland Security in Washington, DC. Reacher’s late brother worked at Homeland, and he’s hopeful Joe’s old contacts can help the 110’ers uncover more intel on A.M.’s true identity. 

It’s this plan to split the team that’s in the works when Langston’s motorcycle gang friends corner Reacher and the crew behind a late-night restaurant. After the beatdown, as the special investigators are shaking off the pitched battle surrounded by the unconscious, broken bodies of their adversaries (Dixon, angry: “I fucked up my shoes”), Reacher calls Langston from the MC boss’s phone. “Before you ask if it’s done, it is. Just not in the way you hoped for.” Langston, always so smarmy, says Reacher’s causing his “complex operation” a lot of problems. And while it’s not like the New Age exec would actually follow through with a deal, he does ask what Reacher would want in exchange for ceasing with the henchperson bloodbath. But we already know what Reacher wants. And it’s real simple. “I wanna throw you out of a helicopter.” 

Johnny Loftus (@glennganges) is an independent writer and editor living at large in Chicagoland. His work has appeared in The Village Voice, All Music Guide, Pitchfork Media, and Nicki Swift.



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‘The Crown’ Season 5 Episode 10 Recap: “Decommissioned”

The Season 5 finale of The Crown is a finale in name only. Though we already know some of what’s to come in season six (Dodi and Diana’s relationship and their deaths, mostly), the final episode of the season acts as pure setup for the tragic events that we know are going to unfold. It’s just a shame we’re going to have to wait who-knows-how-long for The Crown Season 6 to come out.

Dodi Al-Fayed, now a big-time Hollywood producer, is living the life in California, light years away from London where his father Mohamed lives with his second wife, Heini. Dodi’s in a bidding war with Michael Douglas for a Malibu mansion, and he’s found love with a model and aspiring actress named Kelly Fisher. Dodi wants the new house (which he needs his father’s money to buy) for him and Kelly, who he loves and wants to marry, but first, he wants to introduce her to Mohamed. Dodi and Kelly take the private jet to London while Seal’s cover of “Fly Like An Eagle” serves as a reminder that not everything about the ’90s deserves a second life.

When Mohamed meets Kelly, he declares, “She’s cute,” but coarsely asks Dodi, “Isn’t it enough just to fuck her?” This conversation happens in Arabic, Mohamed wouldn’t be so rude as to say this in front of her if she could actually understand him. But she finds the fact that the two men are carrying on in another language a little rude. Don’t worry, Kelly will be out of the picture soon enough! (It remains to be seen if she’ll actually appear next season, but it’s safe to say she’s not a long-term concern for anyone here.)

Around this time, a TV special about the merit of having a monarchy airs, with private citizens making a case for or against maintaining a British monarchy. (Watching Diana redial the “NO” phone number a hundred times is petty and also pure ’90s phone nostalgia at its finest.) Also pure ’90s nostalgia is the Big Mouth Billy Bass that Prince Andrew gives his mother for her birthday at a quiet family celebration. Though Charles has painted his mother a watercolor landscape, his mother is dismissive of his artistry and, upon opening Andrew’s gift of the singing fish, she tells him, “You always buy the best presents!” Resting Charles Face resets to angry once more. Over lunch, the family discusses the TV program about them. While the queen seems to have gotten the impression that the public still favors the monarchy, Charles saw things differently, telling his family that the polls on that show, coupled with the fact that Tony Blair and his Labour Party are a shoo-in for the upcoming elections, are an indicator that changes are coming in Britain.

Blair does win the election by a landslide, which means that this is the last we’ll be seeing of John Major. Major lamented in the first episode of the season that the royal family’s vision of themselves was deluded, saying, “It’s a situation that cannot help but to affect the stability of the country. What makes it worse is it feels it’s all about to erupt… on my watch.” And while the family did self-destruct in many ways, and confidence in Major did eventually wane (after seven years, so not a bad run), I’d say that Major still came out of it all intact, and with the respect of the queen, too. “You will always rank highly in my personal table of prime ministers,” she tells him after his defeat. “Very highly.”

“I am still frustrated that I was never able to resolve the issue of the royal yacht,” he tells her, bringing us all the way back to episode one when the queen asked Major for the funds to refit her most favorite royal residence, the HMY Britannia. But you’ll recall from that episode – and every other one this season – that everything is a metaphor, and the ship is perhaps the biggest, most heaving metaphor for the queen. And sadly, it’s ready to be decommissioned. Blair, this bright shining beacon of modernity and progressive values, has declared it so. In it’s place, he offers the queen a solution, that a new yacht, to be privately owned by a corporation, will be leased out anytime travel is required. (“Like a rental!?” Margaret says aghast. Worse still, Blair suggests that the name of the boat will be called “New Britain,” which is also the motto of the Labour Party. Charles doesn’t hate it. The rest of his family does.)

As Major hands the nation over to Blair, Britain readies itself to hand over Hong Kong to China. It has been decided that Charles will preside over the occasion, and while he’s there, he’ll travel on Britannia, in what will be her final voyage before it’s decommissioned and the SS New Britain replaces it. But on the flight over, Charles learns that he and Camilla have been bumped to business class, as all of the politicians attending have snatched all the first class plane tickets. (On the plane, Charles gives 100% “Elaine in coach class” vibes while Jerry pops champagne and smothers himself in hot towels in first class on Seinfeld. The flight attendant even goes so far as to close the curtain to avert pauper Charles’s snooping eyes.)

While Charles is halfway around the world, Diana is in London attending a performance of Swan Lake where she reunites with Mohamed, with whom she has had a long-term friendship since they met at the racetrack in episode 3. He insists she join him and Heini for a post-show meal, and she reluctantly agrees. On the drive to the restaurant, her car is assailed by paparazzi, whose flashbulbs are dangerously blinding. I understand foreshadowing, sometimes I wish this show was just more subtle about it, you know?

This being the beginning of the summer on 1997, Diana tells Mohamed that she’s longing to get out of the country, especially since Charles plans to throw Camilla a grand 50th birthday party that will no doubt be the talk of the town. Mohamed invites Diana to Saint Tropez to vacation with his family. Bring the boys, he tells her, “There will be speedboats and jet skis and movies and burgers and French fries!” Mohamed can be a real asshole sometimes, but Salim Daw’s delivery of this line is the greatest.

After Charles hands Hong Kong over to China, he’s given an audience with Tony Blair, with whom he finds a kinship. Blair, at 43, is the youngest Prime Minister the country has seen in a century, and with his relative youth and forward-thinking disposition, Charles finds kinship. Or so he hopes. They meet aboard Britannia, and Blair explains that only now that he’s seen the ship’s majesty does he regret decommissioning her. Charles scoffs, telling Blair that “there’s no point clinging to the past.” Are we talking about the ship or the queen? You decide the meaning, Blair!

Charles launches into a diatribe about how he wishes to renovate the royal family and its values, but he’s really a single-issue politician, and his campaign hinges on his own right to remarry. He asks for Blair’s help, to form a quiet alliance, and while Blair sees right through Charles’s agenda, he pities him, too. “Can’t be much fun being the Prince of Wales if you’re an impressive man,” he tells his wife.

Upon hearing about Charles using the yacht for a vacation with Camilla, the queen eviscerates him when he returns, insulting their relationship and asking Charles, “What good can ultimately come of it when the public is so against it?” Charles’s anger throughout the years is certainly justified when you consider moments like this. Charles tells his mother that she adheres to Victorian-era ideals – about marriage, about life, about all of it – which she thanks him for and takes as a compliment. But the lingering silence and staring into space that follows is the unspoken indicator that she’s willing to acknowledge that maybe she is a little old-fashioned.

No time to dwell on your kids though, when you’ve got a decommissioned yacht to bid farewell to! Off the queen goes to say one last goodbye to Britannia where she tearfully salutes every last sailor, mast, and porthole she can. Ah, the great metaphorical ship, it’s sad to see you go! This would all seem so much poignant if the queen were in fact, about to abdicate or die, but we all know she has 30 more years left, and it’s hard to get too lost in the metaphor of it all, honestly knowing that she’s just getting started.

While the queen is aboard her ship, Mohamed and Diana ready themselves for their trip to the South of France on his. As the episode ends, there are still so many stories that are only just getting ready to unfold, and so many looming questions about what’s in store for season six. In reality, the time frame between the Saint Tropez vacation and Diana and Dodi’s deaths was only three weeks, which means that even though we see Dodi propose to Kelly in the final moments of this episode, everything will change for everyone when he meets Diana. Every moment from here on out counts more than ever, and the rest of the story will become a thing of legend, a tragic fairy tale without a happy ending.

Liz Kocan is a pop culture writer living in Massachusetts. Her biggest claim to fame is the time she won on the game show Chain Reaction.

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