Barbie Director Greta Gerwig Reportedly Fought to Keep ‘I’m Just Ken’ Dance Sequence in the Film

Barbie director Greta Gerwig has revealed that the iconic ‘I’m Just Ken’ dance sequence from the film was almost removed from the script. Speaking to Succession creator Jesse Armstrong at the BFI London Film Festival, the filmmaker claimed that the studio executives at Warner Bros. questioned her at a ‘big meeting’ whether the standout scene was necessary. However, she stood her ground and cited the 1952 movie Singin’ in the Rain’s ballet scene as a reference point for Barbie’s ‘dream ballet,’ where all the Kens would be dressed in black and dance across a wide-open, pink and blue-hued space, as they work out their identity issues.

“It just said in the script, ‘And then it becomes a dream ballet and they work it out through dance’,” Gerwig said in the interview (via Variety). “There was a big meeting that was like, ‘Do you need this?’ And I was like, ‘Everything in me needs this.’ They were like, ‘What do you even mean? What is a dream ballet?’” The scene in question does come across as odd in screenplay format, as it just transitions from a musical fight sequence at the Barbie Land beach into a vast emptiness, with Ryan Gosling and Simu Liu beaching off. It appears as though WB was worried whether the quirky change in environment would sit well with a mainstream audience. Also, Barbie was never intended as a musical — in fact, the ‘I’m Just Ken’ track initially didn’t have a solid place until Gerwig heard and ‘loved‘ the small version composer Mark Ronson wrote.

The song is now a certified hit, with over 78.5 million streams on Spotify and 10 million views on YouTube, at the time of writing. Gosling, who previously recorded songs for his 2016 film La La Land, was the vocalist for his part in Barbie as well and placed at No. 87 on the Billboard Hot 100 chart in August. “I was like if people could follow that in Singin’ in the Rain, I think we’ll be fine. I think people will know what this is. So that was the big reference point,” Gerwig explained, adding that she was equally stressed about the sequence totally failing. After all, this wasn’t the only time filming was interrupted, as a Time Magazine story revealed that Mattel president and COO Richard Dickson flew over to the location to ‘argue’ with director Gerwig and lead Margot Robbie over an undisclosed scene that felt ‘off-brand’ to him. The duo changed his mind by performing the scene before him, and it stayed.

Barbie is now the biggest film of 2023, having grossed $1.43 billion (about Rs. 11,901 crore) at the global box office, sitting right above The Super Mario Bros. Movie and Oppenheimer. It perched Gerwig as the first-ever woman director to join the billion-dollar club, and follows the stereotypical Barbie doll (Robbie) living her perfect life in the pink-hued Barbie Land until she starts turning sentient and is forced to face an existential crisis. Wanting to reverse those conflicting thoughts, she sets off on a journey to the real world with Ken (Gosling), where she learns about patriarchy, the troubled lives of women and how barbie dolls have perpetuated stereotypes and led young girls to have a skewed perception of themselves. The film is slated to release on 4K Ultra HD, Blu-Ray, and DVD formats on October 17.

Barbie is now available to watch digitally, and is still showing in select theatres across the world.


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Barbie Could Dominate in Early Box Office Standings Against Bout With Oppenheimer: Report

Early box office tracking for the two biggest movies of the year — Barbie and Oppenheimer — suggest that the pink, live-action doll movie would be stealing the show. As per The Hollywood Reporter’s sources which have tracked various polling services, the Christopher Nolan film was initially the favourite, but things soon turned in Barbie’s favour as it became a social media phenomenon, thanks to its ensemble cast, internet memes, and outrageous reports of them causing a pink paint shortage. Both films are budgeted at roughly $100 million (about Rs. 819 crore) as well, which makes this clash all the more exciting.

In recent years, production studios have intentionally steered clear of having their films’ release dates clash with each other, as a means to maximise ticket sales. Some would even go as far as shifting them around — Denis Villeneuve’s Dune: Part Two is a solid example of this, having brought forward its release date by two weeks to avoid direct competition with The Hunger Games: The Ballad of Songbirds and Snakes, which is set for November 17. So you can see why the prospect of Barbie vs Oppenheimer would have fans excited. Even more so, considering the background drama between director Nolan and Warner Bros.

It’s not uncommon for Nolan to pick an American Summer release window for his movies, with Oppenheimer following suit on July 21. As per THR, Warner Bros. originally planned for John Cena’s Coyote vs. Acme to drop around that time, only for it to then pull the film out of the calendar and replace it with Greta Gerwig’s Barbie instead. Rumours surrounding the subject claim that it was a deliberate move by Warner Bros. out of spite, to mess with Nolan’s release. Back in late 2020, Warner Bros. announced that it would release its entire 2021 slate of films simultaneously in theatres and HBO Max. Nolan, who was appalled at that decision, called HBO Max the ‘worst streaming service’ and chose to part ways with Warner Bros. — ending a two-decade-long partnership. His film Oppenheimer was then shopped around to several studios until Universal Pictures stepped in to distribute it.

However, recent reports somewhat dispute this theory of WB trying to sabotage Universal, with Warner Bros. Pictures co-CEO Michael De Luca confirming that they have been trying to mend their relationship with Nolan and bring him back into the fold. In fact, some sources familiar with the situation claimed that Nolan received a seven-figure royalty cheque for his work on Tenet, and he even did some post-production work for Oppenheimer at WB. The box office numbers for the film against Barbie will be interesting to track, for if Oppenheimer turns over a huge profit, Universal Pictures might try to hold onto Nolan and give him all the budget and resources he needs for the future. It’s a battle between studios as well.

The competition between the two movies has inspired several memes, with people online comparing the stark contrast in tones, with Oppenheimer boasting a gritty look (some scenes are even shot in monochrome), focussing on the obsessive father of the atomic bomb. Meanwhile, Barbie is bright pink and cheerful, with everyone’s go-to silent protagonist/ ‘literally me’ actor Ryan Gosling sporting a uniquely goofy appearance. Adding fuel to the flame is Tom Cruise, who is reportedly upset that both Barbie and Oppenheimer have booked most of the IMAX screens in July, essentially sabotaging his Mission: Impossible — Dead Reckoning Part One film, which is out a week prior on July 12. Yep, there’s a third competitor and its box office revenue is bound to be impacted by the other two films. July is shaping up to be an interesting month for blockbuster movies, in terms of both on and off-screen drama.


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