Resident Evil 4 Producer on How the Remake Will Tackle QTEs, Inventory Management, and the Sequels

IGN: I’d like to start by asking about how the proposal for a Resident Evil 4 remake came about. Was it a natural follow-up to Resident Evil 2 and Resident Evil 3?

Yoshiaki Hirabayashi: That is how the order went. That said, remaking a game as beloved by players and available on as many platforms as Resident Evil 4 seemed like a difficult project for us.

As part of the original’s development team and a fan of the game, I believe that Resident Evil 4 is an excellent overall product. At the same time, I also feel amazed that seventeen years have passed since its release already.

After that much time, we too have gained a lot of knowledge about making games. We’re now able to make games that are enjoyed on both a deeper and a broader level even when it comes to elements like controls and storytelling. We thought that adding this knowledge to Resident Evil 4 would make it an even more enjoyable title.

That’s why we decided to tackle Resident Evil 4 with the mindset of, “Even if it’s a difficult project, let’s see if we can do it.”

IGN: I feel that way too, as a fan. Resident Evil 4 isn’t just highly regarded, it’s nearly been deified.

Yoshiaki Hirabayashi: It really has. To be honest, the work can start to feel tiring (chuckles). We’re trying out different ways to make a game like that more fun for players, but what did you think after playing it?

IGN: It was quite fun. Given how well-made the recent remakes have been, I was sure that this one wouldn’t miss either, but it exceeded my expectations.

Yoshiaki Hirabayashi: Thank you!

IGN: There were scenes in the demo that felt even more nerve-wracking than the original, and I enjoyed the action as well thanks to additions like being able to parry with the knife.

Yoshiaki Hirabayashi: Kazunori Kadoi and Yasuhiro Anpo, who worked on Resident Evil 2, are overseeing this game’s creation as directors. Kadoi is supervising gameplay elements, and he’s quite fixated on the knife.

You can even use the knife for follow-up attacks on fallen enemies, or to perform emergency escapes when grabbed by enemies. These actions will reduce the knife’s durability, though, so it’s important to think carefully about when to use them. It allows for a wider variety of playstyles.

IGN: Would it be fair to say that parrying is an element meant for veteran gamers, while follow-up attacks and emergency escapes are also there for players who aren’t as experienced?

Yoshiaki Hirabayashi: I think so. There are a lot of different ways to play the original Resident Evil 4, and it’s been striking to see the different methods people use to make their way through the game. There’s a kind of fun that comes from not being forced to play in a certain way, and these various knife actions are a part of us trying to bring that to this remake as well.

IGN: Resident Evil 4’s story has also been restructured. The demo featured some background that wasn’t discussed much in the original, and it felt like it was trying to highlight the story. Does that trend hold up overall?

Yoshiaki Hirabayashi: Yes, it’s fair to see it that way. We’ve put a particular emphasis on the interactions between characters, as we’d like to show even more about the game’s human relationships than the original does.

For example, take Ashley, someone the main character Leon rescues. We want to show how both of them feel, rather than making her story just be about getting rescued and escaping. Of course, these aren’t feelings of love, and they’re expressed in a tense way appropriate for a survival horror title. The mysterious Luis also has more depth to him than the original.

When the Resident Evil 4 first came out, there of course hadn’t been a Resident Evil 5 or a Resident Evil 7: Biohazard. We’ve restructured the story with this history in mind.

IGN: There were quick time events [QTEs] in the original, like where you have to escape from rocks. Are there any changes to these in the remake?

Yoshiaki Hirabayashi: I’d say there are “barely any” QTEs. Different people have different definitions of what a QTE is, so while I can’t tell you that there aren’t any at all, I can say that there aren’t prompts to press buttons mid-cutscene.

However, there are times when you need to press a button based on a situation. The whole team has been working to properly fit what some would call QTEs into the actual game.

IGN: I was struck by the demo’s serious situations that really made me feel afraid. The original gave me more of a brighter impression overall, with no lack of comedic scenes that could make the player smirk. What kinds of changes are you making on that front?

Yoshiaki Hirabayashi: I personally think that Resident Evil 4 is full of both witty moments and moments that make you feel fear. The horror elements were emphasized in the demo you played, as it’s the introduction to the game. You’ll see scenes with more wit as you proceed further.

We’re working to make adjustments that feel natural to players, with the horror elements of the original maintaining their horror, and Leon’s cynical appeal still shining through. We’ve been sure to keep moments where Leon insults his enemies in as well.

IGN: One memorable part of Resident Evil 4 is the briefcase. Fitting all your items in and managing your ammo well was part of the game’s charm. Is that still in the game?

Yoshiaki Hirabayashi: We’ve been sure to leave in the fun that is the briefcase’s puzzle-like resource management. After all, part of what makes the game interesting is rotating weapons and items to make them fit just right and agonizing over what to keep and what to throw away.

In addition to the large, medium, and small briefcases, there are a few customization options to add style to your bag, like charms you can attach and different briefcase colors. The gold briefcase you can get as a preorder bonus actually has the effect of slightly increasing the amount of money that enemies drop.

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