One poem, “The Hut,” featured the mountains of Slovakia recast as parts of the female anatomy, while “The Face” was dominated by descriptions of torture and pain. Both poems were included in a self-published book that was seen by The New York Times.
Politicians on both sides of a deep political divide in Slovakia that is split between supporters and foes of Mr. Fico have presented the shooter as a product of the opposing camp. But people who know him say he never sided clearly with either, but jumped on any cause that allowed him to express his anger.
Yet there is one cause, according to people who know him, that he has stuck with for decades: an abiding hostility toward Slovakia’s minority Roma population. Mr. Maruniak said that had been an obsession of Juraj C.’s since the 1970s, when they worked together at a coal mine. “Gypsies and Roma,” a book written and self-published by Juraj C. in 2015, included an openly racist poem about the minority: “On the body of civilization there is a tumor of criminality growing.”
On other matters, however, he regularly switched sides.
In 2016, for example, Juraj C. offered public support for Slovenski Branci, or Slovak Conscripts, a paramilitary group known for supporting Russia. In a statement of support, he said he admired the group’s “ability to act without approval from the state.”
Two years later, however, he began a bitter feud with another member of the literary club who had posted a message on Facebook expressing unease about torchlight parades in Ukraine by radical nationalists. He denounced his fellow writer, who had worked in Russia more than two decades before, as a Russian agent paid by the Kremlin to tarnish Ukraine.